Showing posts with label race and pop culture. Show all posts
Showing posts with label race and pop culture. Show all posts

"Halle Berry may have chosen the wrong words but she makes the right point."

"It is important to read past her ugly custody case to have a larger conversation about race (one the baby's father apparently does not want to have). Her daughter will have to choose a racial identity, the way she had to choose a racial identity. In America, that means it will probably be chosen, at least in part, by the way people react to her. In America, her skin color (black or white) will be something that people use to define her. I applaud Halle Berry's courage, if not her choice of words. When she says, 'I believe in the one drop theory,' of course, she does not mean to endorse racism. But she does have the courage to do something so few Americans can: talk about race."

Either that or she's using whatever weapons she finds at hand as she fights for what she wants in her child custody battle.

"No people of color have been nominated for Oscars."

"... You have a very powerful industry run by liberal Democrats, very rich liberal Democrats, and they have their top ten best movies, nominated best movies, and not a single person of color nominated for anything, not even best supporting stooge...."

Said Rush Limbaugh today, prompting Bo Snerdley to go on the air and comment:
Rush, there is something tremendously insidious and vile underneath this resegregation, resegregation of Hollywood. Our leading Hollywood producers -- and we all know who they are -- the Spielbergs, the bigwigs are simply look at black and Latino America in the face, especially black America, and you know what they're saying to 'em? They're saying, "Look, we gave you people enough. We elected him president. We did that. We don't have to put any of you people in movies anymore."

RUSH: You people?

"Everything that was once cutting-edge becomes reality-TV fodder."

Andres "Piss Christ" Serrano as a guest judge on "Work of Art: The Next Great Artist":
The contestants had less than a day to create their "shocking" works of art....

Miles, who has won two previous rounds, created a large illustration of Mickey Mouse involving penis-like embellishments. Last week's winner, John, attempted a painting of a man performing fellatio on himself, while Jaclyn created a series of low-res nude photos of herself. Ryan made a portrait of himself as a transsexual prostitute. Both Erik and Mark created works addressing child sexual abuse.
Works addressing child sexual abuse, eh? And when you do that, you're not making child pornography, right? Can't have been or it wouldn't have been on TV. You have to shock without really doing anything wrong.
Taking a different approach, Abdi chose to create a series of molds depicting young black youths as bombs ready to go off.
Sounds racist — but racism is still shocking, right? — and like a rip off of the infamous Muhammad-with-a-bomb-turban cartoon. Abdi is a Muslim name, by the way. But a little research shows that Abdi is black, so presumably that was TV-okay.
Because of the nature of the challenge, the episode featured a lot of bleeped words and blurred images.
All the better for DVD sales.
They criticized John's work for its cartoon-like execution and for the fact that he misspelled "fellatio" as "follatio."
Ha ha. Spelling error! Ding!

"Wow! Jimmy Dean. He was pretty cute when he was young!"

What I exclaimed, after seeing that Jimmy Dean had died and Googling "Jimmy Dean" and seeing this...



... and it took me a couple seconds to recover from the dazzle of male beauty and realize the essential stupidity of Google.

What I was really looking for was the old TV show, "The Jimmy Dean Show." What passed for entertainment in 1964:



Was Rowlf the Dog the original Muppet? He was the first Muppet star!

I remember watching that show. I don't have much to say about Jimmy Dean. He seemed like a nice man — I've heard otherwise, but I won't pass the story on. He's dead. Here's a piece about whether, now that Dean's dead, Dean's song "Virginia" ought become the Virginia state song:
Virginia is one of the few states that has no official tune. It's been without one since 1997, when the General Assembly retired "Carry Me Back to Old Virginia," because its lyrics were deemed racist. 
"Deemed racist"? "Virginny" was "where the old darke'ys heart am long'd to go."
The state has repeatedly tried to choose a replacement, notably by appointing a 12-member committee that sifted through 400 suggestions and whittled them down to eight finalists.

One of those finalists was the appropriately titled "Virginia." It was a ditty played for legislative committees by its composer, song-writer and Varina resident Jimmy Dean.
Is the song any good? I can't find an on-line video rendition of it, and apparently neither could the author of the linked column. There's video there, but not of the song "Virginia." It's a video of Jimmy Dean singing his hit song "Big Bad John." Which he didn't write. (It's by Dean and Roy Acuff.) [CORRECTION: Dean co-wrote the song. Somehow I managed to read "Dean and Roy Acuff" as referring to Roy Acuff and some other guy named Dean Acuff! Ha.] And it's a big, big song. I love it. I listen to it every time it comes on "60s on 6" (my favorite satellite radio channel). Go listen to it. I don't think there's a better storytelling song. 

Do I have to mention the sausage too? (NSFW:)

"With the goosebumpily gravel-voiced Alex Lambert and the adorably indie Lilly Scott inexplicably and tragically out of the running..."

"... this show is going to get so shark-jumpingly bad that it might as well be filmed on location at Sea World from now on."

Oh, come on. It's not that bad. First, "jumping the shark" doesn't mean getting dull. It means doing something desperately weird and out of keeping with what was good about a show. That's not this. Second, Paige Miles survived, thwarting the theory that Americans are racist. Third, Alex Lambert and Lilly Scott were low energy and they're responsible for their own low vote tabulation. Fourth, we already had a Lambert last year. Fifth, it's "American Idol." It's always been in large part about being kind of bad and loving somebody who doesn't deserve it and failing to appreciate somebody else who was better.

There's a "growing theory that minority contestants need twice the talent of their white counterparts" to succeed on "American Idol."

And, after last night, that theory is going to get stronger. Except since we can already safely predict that Paige Miles's journey will end this week — as they say — shouldn't that mean that the theory is wrong? She really was, objectively, the worst. 

"Go! Oriental Angel."

A Chinese reality show shines a light on Chinese racism.
"After the contest started, I often got more attention than the other girls. It made me feel strange," Lou [Jing] said.

The reality show hosts fondly called her "chocolate girl" and "black pearl." The Chinese media fixated on her skin color. Netizens flooded Web sites with comments saying she "never should have been born" and telling her to "get out of China."...

"We lived in a small circle before," said her mother....

"She used to wonder why she had black skin," said one classmate. "We thought about this question together and decided to tell her it's because she likes dark chocolate. So her skin turned darker gradually."

Another classmate weighed in, "We said it's because she used to drink too much soy sauce."

Eugene Robinson on Tiger's women: "What's with the whole Barbie thing?"

"No offense to anyone who actually looks like Barbie, but it really is striking how much the women who've been linked to Woods resemble one another. I'm talking about the long hair, the specific body type, even the facial features. Mattel could sue for trademark infringement."

Really? Here's Barbie. Here's a montage of faces that have horizontally faced Tiger's. I'm sorry, Eugene, but these women are just not that pretty. Barbie is very pretty and glossy and made-up, but in a daytime, cheerleadery way. The Tiger women are all made-up for nighttime, indoor work, and they are not all that pretty. Tiger's wife is the Barbie. Tiger's women to cheat on Elin with are all getting away from Barbie/Elin. It strikes me as a touchingly ordinary search for sex that feels dirty.

A Woody Allen joke: "Is sex dirty? Only if it's done right."

Robinson rambles on:
If adultery is really about the power and satisfaction of conquest, Woods's self-esteem was apparently only boosted by bedding the kind of woman he thought other men lusted after -- the "Playmate of the Month" type that Hugh Hefner turned into the American gold standard.
Which Elin is, but — what is wrong with you, Eugene? — these other women are not!
But the world is full of beautiful women of all colors, shapes and sizes -- some with short hair or almond eyes, some with broad noses, some with yellow or brown skin. Woods appears to have bought into an "official" standard of beauty that is so conventional as to be almost oppressive.
What is wrong with Eugene Robinson? He is seeing race, race, race. The Tiger women look white to him — are they? — and, beyond that, some big hair, big makeup, and big boobs makes them Barbie. Hardly.
His taste in mistresses leaves the impression of a man who is, deep down, both insecure and image-conscious -- a control freak even when he's committing "transgressions."
I don't think so. I'd say he's a man who went for the Playmate ideal in choosing a wife and aimed low for cheating. He was the opposite of image conscious and controlling, and that's one of the reasons his fall from the god-like stature he had for us is so very long and hard.

***

If you clicked on the Barbie link and heard the voice of Barbie, don't you think she sounded an awful lot like Mira Sorvino in her Oscar-winning role — as a prostitute, naturally — in the Woody Allen movie "Mighty Aphrodite"? I say "naturally," because they are always handing out Oscars to actress who take on the amazing challenge of playing a whore.

Barbie, sluts, Woody, Woods...

It's the "Special Wood-Themed" Edition of Bloggingheads!

With me and Hanna Rosin!



Topics:
The racial angle to the Tiger Woods saga
Will high-status men invariably cheat on their wives?
Is lack of sexual desire in women an illness?
The impossibility of writing a non-awful sex scene
Hanna: Sorry, Tolstoy—happy marriages are fascinating!
Ann: Don’t give books as holiday gifts

"Naomi was the first. She was the great ambassador for all black people. She broke down all the social barriers."

Naomi Sims, the model, dead at the age of 61.
Two images of Ms. Sims — one from the 1967 Times fashion magazine cover and the other from a 1969 issue of Life — are in the current Metropolitan Museum of Art exhibition “The Model as Muse.” In a catalog, the curators Harold Koda and Kohle Yohannan wrote, “The beautifully contoured symmetry of Sims’s face and the lithe suppleness of her body presented on the once-exclusionary pages of high-fashion journals were evidence of the wider societal movement of Black Pride and the full expression of ‘Black is Beautiful.’ ”...

In 1972, the producers of the movie “Cleopatra Jones” sought to cast Ms. Sims in the title role, but she turned it down because, she said, she was offended by its racist portrayal of black people....

In 1973, Ms. Sims decided to start her own business. As a model, she often did her own hair and makeup, since many studio assistants were unfamiliar with working with darker skin. And she noticed that most commercially available wigs were designed for Caucasian hair, so she began experimenting with her own designs, baking synthetic hairs in her oven at home to create the right texture to look like straightened black hair. Within five years, her designs, produced by the Metropa Company, had annual sales of $5 million.

"Manba involves devotees wearing dark tans, white make-up around their eyes and hair that is often a combination of neon colours."

A Japanese fad moves to Britain.
It has been around for nearly a decade and is an eye-catching statement against conformity....
Do not attempt this look in the United States.
They start their routine by applying self tan to their bodies.

Eilish rubs the self tan on her neck but her face is darkened much more heavily.

She smears the coffee-bean powder on her pale skin and tries to rub it in so that it does not look "patchy".

Declan explains that he buys his foundation from Afro-Caribbean shops as normal shops do not sell powders that are dark enough....

They then use... white marker pens to create big eyes... and white lipstick.
Uh, Declan... Eilish... you're wearing blackface!
Declan and Eilish say they have been accused of racism for darkening their skin in this way, but they say this could not be further from the truth.

Eilish insists that she is "not mocking anybody" and Declan asks, "what black person looks like this?"...

The British followers of this Japanese subculture are also into the music, which is called Eurobeat, and practise dance moves called Para-Para.
If you're wondering what kind of music and dancing is favored by people this... dumb, there's video at the link.

Do you remember "My Little Margie"? I do!

This "I Love Lucy"-like sitcom ran from 1952 to 1955, and I'm surprised that I have memories of watching it. (I was born in 1951.) I see that the star — Gale Storm — has just died, at the age of 87.

I was able to pull up a clip of the old show. This clip is interesting for several reasons: 1. It's just so incredibly old-fashioned, 2. There's a role for a black actor (Willie Best as Charlie, the elevator operator), 3. There's a law theme (service of process).



RIP, Gale Storm.

***

Something more on Willie Best (who died in 1962):
William "Willie" Best (May 27, 1916 – February 27, 1962) was an American television and film actor. Best was one of the first well-known African-American film actors, although his work, like that of Stepin Fetchit, is today sometimes reviled because he was often called upon to play stereotypically lazy, illiterate, and simple-minded Black characters in films. Best's characterization of the stereotype of the lazy Black man earned him the stage name "Sleep 'n' Eat"; many of his films bill him under this name, if he was billed at all.
Here's a YouTube clip of Best (credited as Sleep 'n' Eat) in a 1932 movie called "The Monster Walks." Offered for historical reference, it's badly recorded and exemplifies the unfortunate stereotypes.

The musical cliché figure signifying the Far East.

We all know it, but where the hell did it come from? Is it from "Kung Fu Fighting"? Of course not. How could it say "Chinese" if we didn't already understand it? The evidence is traced meticulously at the link.

How racist/denigrating/offensive is that riff anyway? Should it be avoided in mainstream pop culture?
... I have a feeling that there might be some kind of connection between the development of a need for a distinct, somewhat comical, caricaturic musical way of signalling Asia, and the apparent desire for material that ridiculed Asians or "put them into place." (Although it is true that more or less ridiculous musical clichés have developed for pretty much everything during the 20th century, in connection with the rise of cinema and television and their usage of background music.)

But I am no musical sociologist or such and don't really feel capable to connect the threads and interpret what the bigger story is which the rise of this cliché-phenomenon tells. And this project is still in the stage of gathering the evidence.
(Via Metafilter.)
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