"Floor boss slides up to me and he says/Hey sister, you're just movin too fast..."

"You're screwin' up the quota/You're doin your piece work too fast/Now you get off your mustang, Sally/You ain't goin' nowhere, you ain't goin' nowhere/I lay back. I get my nerve up. I take a swig of Romilar/And walk up to hot shit Dot Hook and I say/Hey, hey sister, it don't matter whether I do labor fast or slow/There's always more labor after/She's real Catholic, see. She fingers her cross and she says/There's one reason. There's one reason/You do it my way or I push your face in/We knee you in the john if you don't get off your mustang, Sally/If you don't shake it up baby. Shake it up, baby/Twist & shout. Oh, would I could get a radio here..."

Just an old song that last post got me thinking about. Is it relevant? Patti Smith sings/speaks of working too fast and getting told to slow down. Yes, it's relevant: Workers have an interest in keeping the work pace comfortable. That's in the song and in the story about the Italian workers. I bought that Patti Smith record the day it came out, June 5, 1974. I had a job. Not in a piss factory inspecting pipe. In a market research firm, coding magazines. And we had a radio. We listened to music and followed the news of the day, and the big story was Patty Hearst. "Miss Hearst is Now Tania, But How and Why?" read the NYT headline 10 days before that record came out. "Piss Factory" was the B-side, and the A-side, "Hey Joe" was Patti's effort at answering that question about Patty. We were doing our work pretty slow — there wasn't enough work to fill up the day — and listening to the radio. We heard the new song, the A-side, and spun out all our theories about Patti/Tania. Listening to the radio, reading magazines, filling up the time elaborating about it all....

Life is different now. But not completely different.