Cokie Roberts and Renee Montagne talking about Republicans on NPR.

The tone and inflection as they hit key words like "Gingrich" couldn't be more sarcastic and contemptuous. I mean, if they amped it up any more, the regular NPR listeners might start to find it inappropriate.

"Do you want to reload this page?"

Aha! It's the computers that are fomenting violence in America! We always suspected the machines would find a way to destroy us, and suddenly I see their insidious mechanism. Don't retreat... reload!... this page.

We ... have shut ourselves in: machinery that gives abundance has left us in want. Our knowledge has made us cynical, our cleverness hard and unkind. We think too much and feel too little: More than machinery we need humanity; More than cleverness we need kindness and gentleness. Without these qualities, life will be violent and all will be lost.

The aeroplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men...

Don't give yourselves to these unnatural men, machine men, with machine minds and machine hearts. You are not machines. You are not cattle. You are men. You have the love of humanity in your hearts. You don't hate - only the unloved hate. Only the unloved and the unnatural...

You the people have the power, the power to create machines, the power to create happiness. You the people have the power to make life free and beautiful, to make this life a wonderful adventure. Then in the name of democracy let's use that power....

Do you know the source of that warning about the machines? It's this.

ADDED: Here's a plot summary of the movie I'm quoting from. The character you see there does not represent Hitler. I'm only now realizing that I shouldn't assume everyone knows the movie.

Howard Stern excoriates Kathy Lee Gifford for tormenting an autistic boy.

Kathy Lee somehow managed to produce the most unbearably tasteless display I've ever seen on television, and Stern lets her have it. Language alert on the second link, but the first link is much more offensive.

[Second link was wrong before. Fixed.]

The homeless guy with the "golden radio" voice triumphs...

... or so it seems.

Ted Williams, the homeless man with a radio voice.

He stood by the side of Interstate 71 in Columbus, Ohio with a homemade sign about his "God-given gift of a great radio voice." A reporter made a video...



He's been through "alcohol and drugs and a few other things" and now he's facing viral video fame.

"Does that not just sound like an NPR report, to do an in-depth report on the word of the year, 'no.'"

Says Rush Limbaugh, about this NPR segment, which I tried to listen to. Man, NPR is slow. Unless you're driving in traffic trying to create the illusion that you are going quickly, I don't see how you can listen to that. But there's a transcript at the link, and you can read it so much faster than the 5 minutes it takes for Geoffrey Nunberg to perform the text on the audio. When he finally gets to the point that the word of the year is "no," he says:

That word usually gets a bad rap in public life; it's never a compliment to call somebody a naysayer. So Democrats obviously meant to put Republicans on the defensive when they began to call them "the party of no" for opposing the stimulus bill in early 2009. As The New York Times' Ben Zimmer pointed out, that phrase has often been used by the party in power to label the opposition as obstructionist. Ronald Reagan branded Democrats as the "party of no" in 1988, Bill Clinton did the same thing to Republicans in 1994, and Tom Delay turned the phrase back on Democrats in 2005.

Here's the part Rush played:

What was different this time is that after some early defensiveness, a lot of Republicans embraced the label and even ratcheted it up a notch. "We're not just the party of no," Rush Limbaugh said, "We're the party of hell, no!" — and Republican leaders quickly adopted the line. That extra word shifted the meaning of the phrase — it no longer suggested just opposition to particular bills and programs but unapologetic and resolute defiance.

That stance clearly resonated with a lot of voters.

Rush stopped his playing of the clip there, but it continued like this:

"No" has a great power to bring people together, precisely because it doesn't have to be pinned down. A child has a much harder time mastering "yes," which is always the response to a specific prospect — "Do you need to go potty?" Whereas the child's first "no" comes earlier, as a pure eruption of willful refusal. And the word retains that capacity, even as we learn to intone it to convey despair, anger, defiance, fear, astonishment, disappointment or resignation.

And that's how NPR sees you voters: You're children. You're resisting potty training. Your Tea Potty Party is mindless emotionalism. You're — as Andrew Sullivan would put it — intellectually inert brats.

That's what makes these choruses of negativity so hard to read, whether they're coming from unhappy voters or tired preschoolers in full shutdown. Everybody is sounding the same plaintive note, but it isn't as if there's any single juice flavor that will make them all happy again.

Hard to read?! Is conservatism a foreign language to Nunberg and the NPR slow-listeners stuck in traffic? Juice flavor? It would be a punch line for me to call that a punch line — juice ≈ punch — but why is that a punch line? Maybe Nunberg plied his intellectually inert brats with juice — I'll get grape, because grape is a little more favorite — but what does that mean about what he (and NPR) think government is supposed to do? It's supposed to give us yummy things to make us feel good (and compliant). No wonder he can't read these choruses of negativity.

"In an effort to relieve her boredom, Julie proceeded to throw a glass out a window."

Am I the only one here who remembers listening to "The Anecdote of Horatio & Julie" on the radio, late at night, in the 1960s... WFMU?

Maureen Dowd says "Rush Limbaugh... mocks 'Imam Obama' as 'America’s first Muslim president'" but what did he actually say?

Here's Dowd's column. You can search the radio show's transcripts here. It was a joke:

"If it was laudatory to call Bill Clinton America's first black president, why can't we call Imam Obama America's first Muslim president?"

To be fair, Dowd's use of "mocks" could be said to acknowledge it as a joke. But come on. She says:

Many people still have a confused view of Muslims, and the president seems unable to help navigate the country through its Islamophobia. It is a prejudice stoked by Rush Limbaugh....

If you're going to worry that comments plant the wrong ideas in people's heads, you should be more careful about the ideas you plant. Dowd took a Limbaugh phrase out of context. (Hey! Remember last month, when we were hyper-sensitive about the problem of taking quotes out of context?) In context, it was, first, a question, and second, always only a comparison to the famous Toni Morrison characterization of Bill Clinton as the first black president:

Years ago, in the middle of the Whitewater investigation, one heard the first murmurs: white skin notwithstanding, this is our first black President. Blacker than any actual black person who could ever be elected in our children’s lifetime. After all, Clinton displays almost every trope of blackness: single-parent household, born poor, working-class, saxophone-playing, McDonald's-and-junk-food-loving boy from Arkansas.

 "Trope" — I love that. AKA stereotype.

And when virtually all the African-American Clinton appointees began, one by one, to disappear, when the President's body, his privacy, his unpoliced sexuality became the focus of the persecution, when he was metaphorically seized and bodysearched, who could gainsay these black men who knew whereof they spoke?

 Ha. You know how I feel about "gainsay." It's the red flag of bullshit.

The message was clear "No matter how smart you are, how hard you work, how much coin you earn for us, we will put you in your place or put you out of the place you have somehow, albeit with our permission, achieved. You will be fired from your job, sent away in disgrace, and--who knows?--maybe sentenced and jailed to boot. In short, unless you do as we say (i.e., assimilate at once), your expletives belong to us."

(Shouldn't that be "all your expletives are belong to us"?)

Now, we all know that Bill Clinton is not actually black, so to say Obama is the first Muslim president in the way that Bill Clinton is the first black president actually implies that Obama is not a Muslim. As in: Christian faith notwithstanding, this is our first Muslim President. More Muslim than any actual Muslim person who could ever be elected in our children’s lifetime.

In context, please!

And answer the question: If it was laudatory to call Bill Clinton America's first black president, why doesn't the phrase "first Muslim president" work the same way?

There are some good answers to that question:

1. Back in 1998, when Morrison wrote her essay, Americans — or at least the Americans she was writing for — really did think it would be a fine thing to have a black president, but today, when Rush Limbaugh said that, Americans have a big problem with the idea of a Muslim president and Rush knows that.

2. Since we know Bill Clinton isn't black, calling him black creates no confusion. Calling Obama a Muslim, even as a trope, plays with — stokes — the doubts people have.

Bottom line: Am I criticizing Dowd? Only a little. She's stoking the misunderstandings of Rush Limbaugh that she knows NYT readers have. She doesn't care about giving him his due. But that's okay. He feeds on the things like this. I'm sure he'll have his fun on tomorrow's show. And it will give him license to spend a few more minutes massaging Obama-Muslim, Obama-Muslim, Obama-Muslim... into the listeners' confused mushy heads.

Mickey Kaus tried to do a 3-hour radio talk show, but "They said I lacked intimacy, Bob."

Kaus says:

"Basically, you're talking to people who are alone in their apartments. And I knew I dropped the ball on that. I forgot that. I was proclaiming like Rush Limbaugh, you know, denouncing people, as if I was talking to talking to a crowd of 10,000 people. And I knew I screwed that up."

Now, wait a minute. Your mistake was that you were too much like Rush? But Rush is very successful on the radio. I'm not hearing your show — can we get an audio clip? — but I'm willing to bet that you tried to talk the way you imagine Rush talks — "proclaiming... denouncing... as if I was talking to talking to a crowd of 10,000 people" — but that you are wrong about him.

In fact, Rush does not lack intimacy. The show doesn't feel like an oration to a crowd. Even though Rush gets loud and rowdy, he only does that some of the time, and he pulls back and gets confidential or off on some little digression about his dogs or his Apple computers. He travels a very wide range of soft to loud and back again. There's a musical range of tone, with good pauses and changes of pace. There's a big emotional range too, from serious to funny and from angry to silly. There's a tremendous amount of artistry to the performance, and the effect is like having a very interesting, talkative, demonstrative friend watching the news on TV with you.

In fact, as Zev Chafets wrote about Rush in the NYT Magazine a few years back, Rush picked up his style from his father:

Limbaugh’s father, Rush Jr., was a lawyer... a prominent local Republican activist and the most influential figure in his sons’ lives. He served as a pilot in World War II and became vehemently anti-Communist and very much committed to the ideas and ideals of small-town Protestant America... To this day, Limbaugh calls his father “the smartest man I’ve ever met.”

Certainly he was one of the most opinionated and autocratic. “On Friday nights my friends would come over to the house just to listen to my dad rant about politics,” Limbaugh recalls. “He was doing the same thing as I do today, without the humor or the satire. He didn’t approve of making fun of presidents. He didn’t think that sort of thing was funny.”

Dick Adams, Rush’s boyhood friend and high-school debate partner, told me: “Mr. Limbaugh didn’t suffer fools lightly, let’s just put it like that. Many times I was over there when he called down Rush or David in harsh tones. There was usually a string of expletives attached.”

See? It's the feeling of being in that living room with the smartest — and funniest — man I’ve ever met. Here's this middle-aged guy that the young kids will go out of their way to hear rant — in his home. Not to a crowd of 10,000. It's home-style talking... sound you would like to fill your apartment (or car) with when you're alone. It does not lack intimacy. Don't underestimate what he does. It's something no one else has been able to achieve — including Rush, Sr., who didn't have the humor.

Dr. Laura Schlessinger says she's going to end her radio show and everyone seems to believe her.

But I don't! I accused Dr. Laura of doing a media stunt — saying the n-word over and over on the radio — to get attention, and — lo and behold! — she gets right onto the Larry King show. So far, so good, with this stunt.

Having made it to center stage, she makes a dramatic announcement:

“I want to regain my First Amendment rights,” she said. “I want to be able to say what’s on my mind and in my heart and what I think is helpful and useful without somebody getting angry, some special interest group deciding this is the time to silence a voice of dissent and attack affiliates, attack sponsors. I’m sort of done with that.”

But she stressed that she was not retiring, only ending her show, and would continue to write books and appear at speaking engagements.

“I’m not quitting,” she told Larry King. “I feel energized actually — stronger and freer to say the things that I believe need to be said for people in this country.”...

Shortly after Dr. Schlessinger made her announcement, one of the groups that had called for advertisers to back away from her show, Media Matters for America, issued a statement applauding the outcome.

She's not quitting right away. That's a key clue. She's just "made a decision not to renew her contract when it expires at the end of the year." She's fighting back, lighting a fire under her supporters, betting — I think — that her audience will increase as a result of the new attention.

Media Matters may want to intimidate advertisers, and without advertisers her new contract negotiations would not have gone well. It's better to quit than to go down defeated.  But the controversy is also great leverage. If her ratings go up — and I bet they do — the advertisers will be there.

Think about it: Rush Limbaugh is still on the air, with plenty of advertisers. If the Media Matters strategy for destroying radio careers worked, he'd have been gone long ago. Yeah, the strategy sort of worked against Imus, but only temporarily, and it made him seem important and relevant (even as the "nappy-headed hos" incident was probably painful for him). 

So the time for end-of-the-year contract negotiations will come up for Dr. Laura, and we'll see what happens. I predict she'll be offered good money, and she'll announce a change of plans, along with heaps of self-praise for her bravery standing up for her First Amendment rights. Remember, she "feels energized," and she wants"to say what’s on [her] mind and in [her] heart," and she won't tolerate "some special interest group deciding this is the time to silence a voice of dissent."

Stay tuned.

Dr. Laura Schlessinger has finally figured out (or bumbled into) the way to get us talking about her again.

She "articulated the 'n' word all the way out — more than one time." She wasn't calling anyone the epithet or adopting the word as her way of speaking, only referring to the way other people talk: "black guys use it all the time. Turn on HBO, listen to a black comic, and all you hear is n*gger, n*gger, n*gger." It was really weird to use the word on the radio, and I suspect her of doing what Rush Limbaugh calls the "Media Tweak of the Day," a remark designed to get his adversaries talking about him.

Now, Dr. Laura has apologized, both for saying the word all the way out and for not helping the caller. The caller, Jade, was a black woman married to a white man whose friends and family make "racist comments" in front of her, which her husband ignores. Voicing her suspicion that "sometimes people are hypersensitive," Dr. Laura asked Jade to giver her 2 good examples of these "racist comments." Jade says:

OK. Last night -- good example -- we had a neighbor come over, and this neighbor -- when every time he comes over, it's always a black comment. It's, "Oh, well, how do you black people like doing this?" And, "Do black people really like doing that?"

Of course, Laura didn't think that was racist, but instead of inviting Jade to contemplate why a well-meaning person might say something like that or how Jade might take a more active role to get the neighbor to stop addressing her that way, Laura opened up the stream-of-consciousness:

... Well, listen, without giving much thought, a lot of blacks voted for Obama simply 'cause he was half-black. Didn't matter what he was gonna do in office, it was a black thing. You gotta know that. That's not a surprise. Not everything that somebody says -- we had friends over the other day; we got about 35 people here -- the guys who were gonna start playing basketball. I was going to go out and play basketball. My bodyguard and my dear friend is a black man. And I said, "White men can't jump; I want you on my team." That was racist? That was funny.

Jade then says: "How about the N-word? So, the N-word's been thrown around..." Here, Laura needed to determine whether the husband's friends and family are saying the word. Laura keeps riffing about general things happening out there in the culture:

Black guys use it all the time. Turn on HBO, listen to a black comic, and all you hear is n*gger, n*gger, n*gger.

The friends and family in question aren't black guys (and neither is Jade), so what is the point? That Jade should put up with the n-word, said in her presence? People on HBO say "fuck" all the time too, but if the neighbors come to your house and say "fuck" all the time, you have a legitimate complaint. "Don't be so sensitive" is like saying "Be a doormat." But that lapse of Laura's — the failure to recognize what is special about a person's home — hardly gets any attention, because her saying the word "n*gger" was such an immense distraction. Why on earth would Laura do that? Media tweak. 

Yeah, that makes me a tweakee. But there's no tweakee defense for the blogger. We bloggers live on tweaks. Mmmm. Yum.

"'Krush' (Karl-as-Rush) was the palest simulacrum of a Rush Limbaugh."

Writes Tunku Varadarajan about Rove's guest-hosting on yesterday's show.

Oh, but no one can step in and imitate Rush. With the exception of Mark Steyn, all of Rush's guest-hosts mostly make you think about how much better Rush is and: When is Rush coming back? (Steyn does his own thing, and it's brilliant. I prefer him to Rush.)

It would have been foolish for Rove to go all bombastic and over-confident on his first radio show, so Varadarajan's criticism is lame:

Rove, by comparison [to Rush], is a lightweight. What we learned today is that he does not have the voice for radio. By that I mean not just that his timbre is too thin, his tenor too brittle, but also that he has little oratorical or rhetorical structure, and no apparent ability to cast a spell over listeners. 

Ha. He's from Austin, Texas. He sounds like a character from the movie "Slacker." I found that charming ... disarming. Rush gets a lot of his oratorical power from his self-conception as an outsider — actively excluded from the power-elite in Washington. Rove is the opposite — so self-restraint is good.

Reading his weekly column in The Wall Street Journal, one was already aware of the modesty of his mind. In fact, his column has done much to baffle many Americans: How on earth did this man become the dark genius of the liberal imagination? Listening to him riff on the radio, one was filled with retrospective alarm: Was this the mastermind in the Bush White House?

Oh, Tunku! Do you really imagine the President, in his confidential, private conversations, listening to a Limbaugh-like blowhard overwhelming him with a big rant? Try to imagine why Rove's style works in the context in which he was highly successful. Gentleness and friendly, quiet, sound advice... is it really such a puzzle?

"Rush is the man," said Jeffrey Toobin on Journolist.

After Sarah Spitz said she'd immensely enjoy watching Rush Limbaugh die:

Rush cannot be replaced. What people miss about Rush is that he is just astonishingly good as a broadcaster.  He is compelling, funny, entertaining. I haven’t heard Thompson often, but he’s probably pretty lame. Ingraham is ok. I never listen to Hannity on the radio. But Rush is the man.

And for that Jonathan Strong of The Daily Caller counts Toobin as one of the "Heroes of Journolist."

***

On July 20, Rush talked about Journolist, and mentioned Toobin:

Friend sends me a note, "Rush what do you mean? What do you mean here this 'small time, crazy, left-wing bloggers'? Jeffrey Toobin, Eric Alterman, Paul Krugman Joe Klein are crazy left-wing bloggers? They're treated as giants." Let's take 'em individually. Eric Alterman. Do you know who Eric Alterman is? The left may treat him as a giant. I know that they do. He's a kook! He's a far-left fringe kook. But do you know who he is? Do you? Jeffrey Toobin. You might know who he is. He works for the least-watched cable news network in history, CNN. He also worked there when they had viewers. I know he's considered a giant. He's a "legal correspondent." He's considered to be above reproach.

There is no journalism. These people are not journalists. They're propagandists, whether it's Jeffrey Toobin or Eric Alterman or Krugman. Yeah, he's a New York Times columnist; he's a propagandist. He is a giant because he's in the New York Times. But my point is whether it's people you've never heard of on this list writing for blogs you've never heard of or whether it is names you never heard of, it's the entire Washington media -- and it's pervasive. I really do think that the take here is there is no media. This is the big myth. You know, the German historian Carl von Clausewitz once stated "War is diplomacy by another means." Well, journalism is just propaganda now: The government putting out its agenda by another means. There are no reporters. There is no journalism. It's just liberalism....

"Floor boss slides up to me and he says/Hey sister, you're just movin too fast..."

"You're screwin' up the quota/You're doin your piece work too fast/Now you get off your mustang, Sally/You ain't goin' nowhere, you ain't goin' nowhere/I lay back. I get my nerve up. I take a swig of Romilar/And walk up to hot shit Dot Hook and I say/Hey, hey sister, it don't matter whether I do labor fast or slow/There's always more labor after/She's real Catholic, see. She fingers her cross and she says/There's one reason. There's one reason/You do it my way or I push your face in/We knee you in the john if you don't get off your mustang, Sally/If you don't shake it up baby. Shake it up, baby/Twist & shout. Oh, would I could get a radio here..."

Just an old song that last post got me thinking about. Is it relevant? Patti Smith sings/speaks of working too fast and getting told to slow down. Yes, it's relevant: Workers have an interest in keeping the work pace comfortable. That's in the song and in the story about the Italian workers. I bought that Patti Smith record the day it came out, June 5, 1974. I had a job. Not in a piss factory inspecting pipe. In a market research firm, coding magazines. And we had a radio. We listened to music and followed the news of the day, and the big story was Patty Hearst. "Miss Hearst is Now Tania, But How and Why?" read the NYT headline 10 days before that record came out. "Piss Factory" was the B-side, and the A-side, "Hey Joe" was Patti's effort at answering that question about Patty. We were doing our work pretty slow — there wasn't enough work to fill up the day — and listening to the radio. We heard the new song, the A-side, and spun out all our theories about Patti/Tania. Listening to the radio, reading magazines, filling up the time elaborating about it all....

Life is different now. But not completely different.

"If you are trapped under wreckage..."

"... tap on something hard to attract attention."

Just an image I ran across Googling "Conelrad." Who among you remembers Conelrad? I only got to thinking about it because "Talkin' World War III Blues" attracted my attention:

Well, I remember seein’ some ad
So I turned on my Conelrad
But I didn’t pay my Con Ed bill
So the radio didn’t work so well
Turned on my record player—
It was Rock-a-day Johnny singin’, “Tell Your Ma, Tell Your Pa
Our Love’s A-gonna Grow Ooh-wah, Ooh-wah”

Why did Bob Dylan's record player work when the radio didn't? You'd be more likely to have a battery-operated radio than a battery-operated record player. But you probably don't even have a record player anymore, do you? And I don't think your radio has the Conelrad symbol on it. Do you even remember what the symbol looks like? I don't. Some triangle? That's what I wanted to see when I got distracted by that poor trapped woman, who was not so unfortunate that she didn't have a stiletto shoe to use to tap out her distress.

What took me back to the old Dylan song? I wasn't worrying about World War III. (I have a book in the house — it was given to me — called "World War IV" and one of my sons, puzzled, said "When did we have World War III?") I wasn't worrying about that, I was selecting the ideal pronunciation of the word "paw" (or "pa") to explain how to pronounce the name "Pawlenty" so it didn't confuse me by sounding like "polenta." Now, Tim Pawlenty, like Bob Dylan, is a Minnesotan. We were talking about him, because he's in a bit of a dispute with Mitch Daniels — who, unlike Bob Dylan, is a Hoosier (like my interlocutor in this conversation I'm alluding too). I need to do a separate post on the Pawlenty/Daniels dust-up, though, because in this post, I'm trapped under wreckage.

Barack Obama shows you how to call in to radio shows to voice your support for Elena Kagan.

Complete with "calling tips":

Some hosts may challenge your views. Stay calm and firm....

And "discussion points":

Elena Kagan understands how the law affects ordinary Americans, giving a great deal of thought to legal issues which profoundly affect Americans’ everyday lives – including freedom of speech and government policy making.

If you say that, maybe the host will say: "What do you mean she's given a great deal of thought to government policy making? What does government policy making have to do with being a Supreme Court Justice and why should I care about the large amount of thought that's been given? Has she thought well and what does she think about law?" If that happens, stay calm and firm! And say what?

"We call on the local radio stations to stop broadcasting the songs and all music as well."

"We give them a 10-day deadline and any radio station found not complying with the orders... will face sharia action.... We also issue orders banning the local media from using the word 'foreigners' to refer to our Muslim brothers coming from outside the country to help us fight against the enemy of Allah.... Every Muslim fighter can come to Somalia to fight the enemy of Allah and we would also invite Osama bin Laden to the country if the we get the opportunity."

It's springtime in Mogadishu.

Radio alert.

I'll be on the "Week in Review" show with Joy Cardin on Wisconsin Public Radio at 8 a.m. Central Time (9 ET). This is the show where I'm on the right and someone else — today it will be Tony Palmieri, another professor — is on the left, and we talk about various issues from the past week.

Go here to listen on-line live. And you'll be able to listen to the archived show here, later. It's a call-in show, so feel free to call 1-800-642-1234. You don't have to be from Wisconsin to call. (But if you're in Madison, use the local number: 263-1890). You can also e-mail questions to talk@wpr.org. Come on, make me answer your question, in real time.

UPDATE: Heh heh.

Air America crashes to the ground.

Suddenly, today.

“The fact of the matter was, it was always a very challenging business proposition, and it never had the right management,” said Sam Seder, who hosted programs on Air America until last year.

The headwinds were enormous, he said, adding, “Radio is a dying industry.”

Well, that's got to find its way into Rush Limbaugh's "stack of stuff" for tomorrow.

You listen to soft rock music.

Quit lying.