Chairman Hu Jintao recognized it as soon as he heard it. Patriotic Chinese Internet users were delighted as soon as they saw the videos online. Early morning TV viewers in China knew it would be played an hour or two beforehand. At the White House State dinner on Jan. 19, about six minutes into his set, Lang Lang began tapping out a famous anti-American propaganda melody from the Korean War: the theme song to the movie “Battle on Shangganling Mountain."...
The movie and the tune are widely known among Chinese, and the song has been a leading piece of anti-American propaganda by the Chinese Communist Party (CCP) for decades....
The song Lang Lang played describes how beautiful China is and then near the end has this verse, “When friends are here, there is fine wine /But if the jackal comes /What greets it is the hunting rifle.” The “jackal” in the song is the United States....
“In the eyes of all Chinese, this will not be seen as anything other than a big insult to the U.S.,” says Yang Jingduan, a Chinese psychiatrist now living in Philadelphia who had in China been a doctor in the Chinese military. “It’s like insulting you in your face and you don’t know it, it’s humiliating...
[One] Chinese commenting on a forum responded to the Lang Lang performance by writing, “Defeat America, defeat Obama” (writing Obama’s name with the wrong first character, one meaning “sunken” or “dented.”)
IN THE COMMENTS: Irene says:
The media in general will make less of this than they did of Michaele and Tareq Salahi.
This is "fuck you, ignorant barbarians" crashing.
William says:
Didn't the Red Chinese lose tens of thousands of men in the Korean War in order to insure the prolonged rule of one of the most fucked up regimes in that region's long history of fucked up regimes? I would think that playing that tune is more likely to remind the world of the stupidity of Communist rulers than humiliate the United States. I think Obama should get Bob Dylan or Bruce Springsteen to write a commemorative song about Carter's failed rescue mission to Iran. He should play that song at all state functions. Same deal as this.
... was never named Rosie, nor was she a riveter. All along it was Mrs. Doyle, who after graduating from high school in Ann Arbor, Mich., took a job at a metal factory, her family said.
In early 1942, the Westinghouse Corp. commissioned artist J. Howard Miller to produce several morale-boosting posters to be displayed inside its buildings. The project was funded by the government as a way to motivate workers and perhaps recruit new ones for the war effort.
Smitten with the UPI photo, Miller reportedly was said to have decided to base one of his posters on the anonymous, slender metal worker - Mrs. Doyle.
For four decades, this fact escaped Mrs. Doyle, who shortly after the photo was taken left her job at the factory. She barely lasted two weeks.
A cellist, Mrs. Doyle was horrified to learn that a previous worker at the factory had badly injured her hands working at the machines. She found safer employment at a soda fountain and bookshop in Ann Arbor, where she wooed a young dental school student and later became his wife.
Oh, the irony! She couldn't do it. But she could inspire others to do it. And she could do other things, like play the cello and rear 6 children. "We" can do it, each in our own way. You work the machines, I'll help people find the right books.
Here's the Norman Rockwell version of Rosie, who's not nearly so glamorous and is clearly not based on Mrs. Doyle:
The 52-by-40-inch oil on canvas depicts "Rosie" on lunch break, her riveting gun on her lap as she uses a dog-eared copy of Mein Kampf as a foot stool.
Great symbolism, Norman. And I don't mean the book. I mean the manly power tool.
Rockwell's Rosie is posed as an homage to Michelangelo's frescoed depiction of the prophet Isaiah from the Sistine Chapel ceiling.
By presenting it uncritically, the Vienna museum is subtly legitimizing the world’s cruelest regime....
Like most socialist realism, this “art” is devoid of complexity. Whatever talents the North Korean painters may possess are tragically subordinated to Stalinist politics and stultifying adulation of the Dear Leader. The descriptions of the artwork underline its utterly bland, primitive, and unenlightening character: “The leaders’ closeness to the people is repeatedly emphasized,” reads the press release. “Red, internationally recognized as being symbolic of socialism, is employed most frequently.” My tour guide’s attempt to distinguish the works from those produced in other Communist societies by labeling it “Idealistic Realism” only underscored the lengths to which the MAK has had to go in order to justify the exhibition....
Could one imagine, in the 1930s, an English gallery featuring Nazi art in such undiscerning fashion?...
What about a Viennese gallery? You'd think Austria would be more sensitive.... about its own reputation.
The article, by James Kirchick, ends with this great George Orwell quote: "All art is propaganda. On the other hand, not all propaganda is art." (By the way, Orwell is calling himself a propagandist there, is he not?)
After Sarah Spitz said she'd immensely enjoy watching Rush Limbaugh die:
Rush cannot be replaced. What people miss about Rush is that he is just astonishingly good as a broadcaster. He is compelling, funny, entertaining. I haven’t heard Thompson often, but he’s probably pretty lame. Ingraham is ok. I never listen to Hannity on the radio. But Rush is the man.
Friend sends me a note, "Rush what do you mean? What do you mean here this 'small time, crazy, left-wing bloggers'? Jeffrey Toobin, Eric Alterman, Paul Krugman Joe Klein are crazy left-wing bloggers? They're treated as giants." Let's take 'em individually. Eric Alterman. Do you know who Eric Alterman is? The left may treat him as a giant. I know that they do. He's a kook! He's a far-left fringe kook. But do you know who he is? Do you? Jeffrey Toobin. You might know who he is. He works for the least-watched cable news network in history, CNN. He also worked there when they had viewers. I know he's considered a giant. He's a "legal correspondent." He's considered to be above reproach.
There is no journalism. These people are not journalists. They're propagandists, whether it's Jeffrey Toobin or Eric Alterman or Krugman. Yeah, he's a New York Times columnist; he's a propagandist. He is a giant because he's in the New York Times. But my point is whether it's people you've never heard of on this list writing for blogs you've never heard of or whether it is names you never heard of, it's the entire Washington media -- and it's pervasive. I really do think that the take here is there is no media. This is the big myth. You know, the German historian Carl von Clausewitz once stated "War is diplomacy by another means." Well, journalism is just propaganda now: The government putting out its agenda by another means. There are no reporters. There is no journalism. It's just liberalism....
We were encouraged to bring the same sense of enthusiasm to these “focus areas” as we had brought to Obama’s presidential campaign, and we were encouraged to create art and art initiatives that brought awareness to these issues. Throughout the conversation, we were reminded of our ability as artists and art professionals to “shape the lives” of those around us. The now famous Obama “Hope” poster, created by artist Shepard Fairey and promoted by many of those on the phone call, and will.i.am’s “Yes We Can” song and music video were presented as shining examples of our group’s clear role in the election....
It is not within the National Endowment for the Arts’ original charter to initiate, organize, and tap into the art community to help bring awareness to health care, or energy & environmental issues for that matter; and especially not at a time when it is being vehemently debated. Artists shouldn’t be used as tools of the state to help create a climate amenable to their positions, which is what appears to be happening in this instance. If the art community wants to tackle those issues on its own then fine. But tackling them shouldn’t come as an encouragement from the NEA to those they potentially fund at this coincidental time.
The networks don't like giving up their ad money, and on top of that, they are being turned into channels of state propaganda. I hope the ratings are terrible, and I'm pretty sure they will be. Why would anyone watch at this point? Even if you love the Prez, why tune in for multiple performances as if he's your favorite pop star?
Because we're dumb, and you need to manipulate us. More blather about "framing." Hey, maybe you need another word for "framing" — you need to reframe framing — because I think that’s a code word for progressive liberals...
