Showing posts with label museums. Show all posts
Showing posts with label museums. Show all posts

"Am I the only person left in the world who worries about spilling his coffee on his laptop?"

2 years ago.

ADDED: I ran across that after reading the colloquy between AllenS and Meade in the comments to the post about Brett's fuzzy penis:
AllenS: Jenn Sterger (the woman) was hired because of some sexy pictures of her in Sports Illustrated mag, that Brent Musberger thought would be a good matchup for the male dominated football sports sceen. Jenn and Brent are just as much at fault here. I'm thinking of sending the woman a picture of my penis also. Could I borrow the fish bowl lens?...

Meade: It's a fish eye lens. Fish eye. It's for taking shots of massive objects or scenes which a normal lens can't take all in. A fish bowl lens would be for taking shots of tiny things. Like Brett Favre's... ability to make good judgments.
AllenS: Ok, ok. Can I borrow the lens that makes stuff look bigger?
But, in fact, the fisheye works really well to make something look large if you get the camera lens right up at it. Lots of other stuff is including in the picture, arrayed all around and looking comparatively small. Frankly — and this is not an offer to AllenS — it would be really interesting to take pictures of naked men and get the extreme closeup on the genitalia with a well-composed and interesting background. I went looking through my old posts with the "fisheye" tag to find some that prove my point.

The second picture here of the fisheye dog makes this point very well. Get right up to the nose. The scenery in the background isn't as interesting as I'd want for my proposed compositions, but you can see how tiny Meade looks in the background (when in fact he was quite close by). Here's another photograph that illustrates the point, albeit with the female body:

Cambodian sculpture at the Met

That's from the Khmer Dynasty room at the Metropolitan Museum in NYC. Here's the effect of the lens looking at the room from the other side:

Cambodian sculpture at the Met

Here's some male and female nudity, to be fair:

Museum of Natural History

That's the Museum of Natural History — not Brett and Jenn. You may recognize that couple from the movie "Election" — which is a great cautionary tale about the inadvisability of cheating on... many things (including your spouse).

And then — searching through the fisheye pictures — I found something that was extremely important to me: the purple tree, which had this.

"Do you guys TRY to not get laid?"

Why did the Madison, Wisconsin arts center remove a photograph from its display "Living with HIV/AIDS: Perspectives Through the Lens"?

It's not like the HIV-themed, ants-on-Jesus video recently removed from the Smithsonian Institution's "Difference and Desire" show. Here in Madison, the sensitivities are quite different:
... "Stripped" features a nude male model seated in a chair with a handful of pill bottles covering his lap. Only his chest, arms and thighs are shown....

Thousands of school- and preschool-aged children walk through the hallway known as the Playhouse Gallery each week on their way to Overture shows, and officials were concerned that "a little kid could connect sickness with genitals" by looking at "Stripped," [Overture spokesman Rob] Chappell said.

Two other black and white photos by Oren — one portraying a nude male torso embraced by four male arms and the other showing a nude male covered by a pile of books — remain on the gallery's walls.

"It's the sickness attached to the genitals that we decided could be misinterpreted by a little kid," Chappell said. "It was never the topic that was an issue. We don't see any reason to shield kids from the fact that HIV exists, or that people with HIV are normal people and can express themselves through photography or any other way."
We don't want children to connect sickness with genitals.

"Norman Rockwell would get the boot... if I believed in pulling everything that I'm offended by: I can't stand the view of America that he presents..."

"... which I feel insults a huge number of us non-mainstream folks. But I didn't call for the Smithsonian American Art Museum to pull the Rockwell show that runs through Jan. 2, just down the hall from 'Hide/Seek.' Rockwell and his admirers got to have their say, and his detractors, including me, got to rant about how much they hated his art. Censorship would have prevented that discussion, and that's why we don't allow it."

Writes Blake Gopnik about the ants-on-Jesus to-do.

Rush Limbaugh reacted:
Now, what is there to hate about Norman Rockwell? Very simply answered question: pro-America. Classic Americana. If you hate Norman Rockwell, you hate the flag. If you hate Norman Rockwell, you hate biscuits and gravy. If you hate Norman Rockwell, you hate breakfast. If you hate Norman Rockwell, you hate farms. If you hate Norman Rockwell, you hate grandmother. If you hate Norman Rockwell, you hate the family. What in the world is there to hate about Norman Rockwell?
Ha. I remember when everyone hated Norman Rockwell... and not just because he was regarded as an excessively literal illustrator and not a real artist.

(And by "everyone," I mean that in the sense that everyone voted against Nixon.)

"If they’ve got money to squander like this – of a crucifix being eaten by ants, of Ellen DeGeneres grabbing her breasts, men in chains, naked brothers kissing..."

"... then I think we should look at their budget," said Georgia Rep. Jack Kingston, a member of the House Appropriations Committee, scaring the Smithsonian Institution into taking down the ants-on-Jesus video. Cowed, the Institution nevertheless defended the artist, whose "intention was to depict the suffering of an AIDS victim." The museum assures us it had no "intention to offend."

"Kim Jong Il, the supreme commander of the Korean People’s Army, deeply concerned over the soldiers’ diet."

The title of a painting from an exhibit called "“Flowers for Kim Il Sung: Art and Architecture from the Democratic People’s Republic of Korea.... in Vienna.
By presenting it uncritically, the Vienna museum is subtly legitimizing the world’s cruelest regime....

Like most socialist realism, this “art” is devoid of complexity. Whatever talents the North Korean painters may possess are tragically subordinated to Stalinist politics and stultifying adulation of the Dear Leader. The descriptions of the artwork underline its utterly bland, primitive, and unenlightening character: “The leaders’ closeness to the people is repeatedly emphasized,” reads the press release. “Red, internationally recognized as being symbolic of socialism, is employed most frequently.” My tour guide’s attempt to distinguish the works from those produced in other Communist societies by labeling it “Idealistic Realism” only underscored the lengths to which the MAK has had to go in order to justify the exhibition....


Could one imagine, in the 1930s, an English gallery featuring Nazi art in such undiscerning fashion?...
What about a Viennese gallery? You'd think Austria would be more sensitive.... about its own reputation.

The article, by James Kirchick, ends with this great George Orwell quote: "All art is propaganda. On the other hand, not all propaganda is art." (By the way, Orwell is calling himself a propagandist there, is he not?)
Related Posts Plugin for WordPress, Blogger...