"If I invoked the Insurrection Act against her wishes, the world would see a male Republican president usurping the authority of a female Democratic governor by declaring an insurrection in a largely African American city."

"That left me in a tough position. That would arouse controversy anywhere. To do so in the Deep South, where there had been centuries of states' rights tensions, could unleash holy hell."

I was struck by that passage in Bush's memoir, "Decision Points." Bush, of course, ended up getting criticized for seemingly not "car[ing] about black people," so it's interesting to think that his delays — at least as he presents them now — had to do with the history of the South. But look closely as the 2 concerns that slowed Bush's imposition of federal authority in New Orleans:

1. Gender. Bush didn't like the image of the male pushing the female aside. He thought he'd be criticized for that.

2. "States' rights tensions." That's a strange way to evoke the history of racism in the south if you want to convey that you cared about the suffering of black people. "States' rights" was the cry of those who resisted federal efforts to advance integration. Bush was, in fact, being deferential to the Southern governor.

Bush, sensitive to potential criticism about sexism and states' rights, exercised restraint, which exposed him to criticism about race.

There was rapper Kanye West who told TV viewers: "George Bush doesn't care about black people." Jesse Jackson compared the plight of some survivors with being trapped in the "hull of a slave ship".

"Five years later, I can barely write these words without feeling disgusted. I am deeply insulted by the suggestion that we allowed American citizens to suffer because they were black... The more I thought about it, the angrier I felt. I was raised to believe that racism was one of the greatest evils in society," Bush writes. "I faced a lot of criticism as president. I didn't like hearing people claim I had lied about Iraq's weapons of mass destruction or cut taxes to benefit the rich. But the suggestion that I was a racist, because of the response to Katrina, represented an all-time low. I told Laura at the time that it was the worst moment of my presidency. I feel the same way today."

He feels bad about this criticism and is contemptuous of those who expressed it, but: 1. His own words indicate that he put racism third on a list of 3 things he was worried he'd be criticized for, and 2. Jackson and West were speaking emotionally at the time when the suffering was going on.

Meanwhile, Kanye West cracked under pussycat questioning from Matt Lauer.

Why are there so many serious novels about 9/11 and so few about Katrina? — asks Chloe Schama who thinks it's just shameful.

She says:

In the aftermath of the attacks on the Word Trade Center, many of the most famous authors of our time have weighed in on the attacks, depicting the ways large and small in which they altered people’s lives. Some hypothesized possible motivations behind the terrorists’ actions: John Updike in Terrorist (2006) and Martin Amis in the short story “The Last Days of Muhammad Atta” (2006). Others used the events as narrative bookends: Don DeLillo’s Falling Man (2007) and Claire Messud’s The Emperor’s Children (2006) are two examples. Some novels commented more indirectly: At the start of Ian McEwan’s Saturday (2005), the protagonist sees a plane flying low and fears a terrorist attack, while, in Jonathan Safran Foer’s Extremely Loud and Incredibly Close (2005), the main character’s quest to unravel a personal mystery is motivated by his father’s death in the World Trade Center.

Meanwhile, the literary response to Hurricane Katrina, the other great American disaster of the last decade, has been almost nonexistent. In the five years since Katrina, almost no major literary figure has similarly illustrated the effects of the hurricane.

Oh, good lord, this is so stupid I hate to have to point it out. Katrina was a hurricane. We don't have to try to figure out its motivations and come to terms with its evil. Yes, there were human failings in the aftermath of the storm, but novelists have been chewing through the routine failings of humankind since the novel was invented. They don't even need a real event that had real people screwing up to get them started. They'll make up stories and characters to show the way people do bad things. You know, fiction.

But the lack of a strong literary response to the hurricane appears to have consequences.... For centuries, novels have done the important job of making devastation more concrete for people by examining individual experience, real or fictional, with that devastation.

Ugh. Art subordinated to politics and social change. Great novelists should write about Katrina to help people. No. That's not how it works.

Novelists have done a commendable job exposing us to the dust and the rubble of September 11. It’s time for more of them to churn the mud, water, blood, and decay wrought by Katrina.

As if serious novelists take their marching orders from the political hacks of this world.

AFTERTHOUGHT: "It’s time for more of them to churn the mud, water, blood, and decay wrought by Katrina." Put mud, water, blood, and decay in in the blender and press "churn." Yummy Katrina art smoothie. 

Drudge is giving Obama a hard time this morning.

There's this at the top:



Drudge dogged him back in the spring of '08 for looking dorky on a bicycle. You'd think his people would at least get him a non-unisex bike that's the right size for him. Anyway, here's Drudge juxtaposing him to Putin holding a giant weapon. But it's not as though you can't look cool with a bike. Be like this:



(Miss him yet?)

Right under the Obama-on-a-bike/Putin-with-a-gun juxtaposition today, Drudge has this picture:



(Saving the image, I called this "dumbrella." Imagine if Bush had made an error of that kind?)

Drudge uses that picture to link to an AP story about Obama's commitment to Katrina victims: "Five years after Hurricane Katrina's wrath, President Barack Obama sought to reassure disaster-weary Gulf Coast residents Sunday that he would not abandon their cause." The AP story has Obama "[s]tanding in front of a large American flag with students arrayed behind him," so why does Drudge show Obama and his elegantly dressed wife entering (or leaving) a fancily gated establishment and mishandling an umbrella? That picture says so much: Obama is distracted by the trivial problems of taking his wife out somewhere expensive while the poor people of the Gulf are waiting and waiting for help. The disapproving glance of his wife gets more attention than the appeals of the hurricane victims. He's fortunate enough to have the kind of weather problem that can be solved by a simple umbrella, which wouldn't be any help at all in a hurricane. And yet his handling of an umbrella in a drizzle is incompetent, so how could he deal with a hurricane? The picture says: How can Obama understand/care/do anything about Katrina?

ADDED: There's also this way for a (future) President to look good with a bike.

"White House in P.R. 'panic' over spill."

Says Politico.

They can't pontificate about Bush and Katrina anymore. Wouldn't it be amazing if Obama were to empathize with Bush's predicament? That would change the tenor of political discourse in Washington.

"Unless and until Barack Obama addresses the full depth of Americans’ anger with his full arsenal of policy smarts and political gifts..."

"... his presidency and, worse, our economy will be paralyzed."

Frank Rich says Obama's "Katrina moment" is here.