Showing posts with label Lenny Bruce. Show all posts
Showing posts with label Lenny Bruce. Show all posts

"If Brett Favre's penis could talk, what would it say?"... well, Bill Maher made it say something about Sarah Palin.

I laughed and yelled at Bill Maher when I heard this:



I'm sure that, being a political comedian, Maher is perfectly happy that he was capable of generating, alternately, anger and mirth. And good for him for making himself relevant again. I actually love comedy riffs that go to weird stream-of-consciousness places and connect things outrageously, especially when the comedian is hitting the hot buttons of people who don't have an easygoing and big sense of humor. Maher does all that. Of course, he falls way short of the ultimate comedy hero — Lenny Bruce* — because he's not challenging people in his own audience. In fact, he's stroking those people and encouraging a desire they already have: to laugh at someone they want to marginalize.

And by "someone" there, I mean Sarah Palin, not Brett Favre. No one needs much help laughing at Favre at this point. Just tell us what he did and stop and wait for the laughs. Maher's main comedy idea was to connect Favre's sext to Sarah Palin:
To me this story really isn't about sports or sex or how necessary caller ID is. It's about how pathetic and clueless white American males have become because the kind of guy who thinks there are women out there who just cold want to see your cock is the same kind of guy who thinks Sarah Palin is swell and tax cuts pay for themselves....

And if Brett Favre's penis could talk, what would it say? Well, other than no photos please, I think it would say, I'm not a witch. I'm you. Because for hundreds of years, white penises were America. White penises found America. They made the rules and they called the shots, in the workplace, in the home and at the ballot box. But now the unthinkable is happening. White penises are becoming the minority. 2010 was the first year in which more minority babies were born than white babies. This is what conservatives are really upset about. 
And this is what lefties are really upset about: American history is the story of greedy white pricks who need to be cut down.
That the president is black, and the Secretary of State is a woman, and every shortstop is Latino, and every daytime talk show host is a lesbian. And suddenly this country is way off track and needs some serious restoring. 
He's working the old meme about the Tea Party that distracted liberals in 2009. But it's 2010, the election is breathing down your neck, and tarring the Tea Party as angry racists did not work.
If penises could cry, and I believe they can...
That made me laugh, even though he'd lost me with the trite evil white man stuff.
... then white penises are crying all over America. And that's where this crew comes in. The lovely MILFs of the new rank. And their little secret is that their popularity comes exclusively from white men. Look at the polling. Minorities hate them. Women hate them. Only white men like them. 
The only truth I'm hearing ring in that — and I haven't looked at the polling — is that liberals (quite rightly) loathe the strong, attractive women who have emerged on the right. And minorities and women have for many years tended to go for the Democrats. So those minorities and women, polled, will say they oppose Palin. But some minorities and plenty of women lean toward conservatism. If they feel repelled by conservative women like Sarah Palin, wouldn't that be evidence of sexism? By contrast, the white males who love Palin should for being open to women stepping up to political power. If these men only saw the women as sexual beings, they would tear down the political aspirations. They would scoff at and mock them... the way Bill Maher does. I think Maher was aware of that flaw in his comic rant. Here's how he tries to flip it the way he wants to go:
I'm no psychiatrist but I do own a couch. 
This is a concession that he thinks women exist for sexual purposes.
And my theory is that these women represent something those men miss dearly: the traditional idiot housewife.
Maybe you have that theory because that's what you want in a woman. The housewife is a woman who stays home, and conceptualizing women as idiots is something men do when they want to block their aspirations outside of the home. This is what Maher is trying to do to Palin and the other conservative women. How can he pin that mindset on the men who support the women's ascension to power? No one wants an idiot to represent them in government.

Yes, we vote for idiots all the time, but it's because we project our hopes onto them and imagine them to be, in fact, brilliant:



________

*Here's Dustin Hoffman acting out the most striking example of Bruce challenging his own audience. Very offensive language.

"Everywhere you look there are jokes... I mean, my life is just... jokes."

A clip from the excellent documentary "Joan Rivers: A Piece of Work":



We saw this movie last night at Sundance in Madison. I have a special love for the documentaries in this niche. Show this new one as a triple feature with "The Eyes of Tammy Faye" and "Grey Gardens." Here's the trailer for "Joan Rivers." Watch for the insult to Wisconsin, which got a huge laugh here in Wisconsin.

There was a line I tried to memorize, for me, the most interesting line in the movie. It was something like: "I am an actress — an actress playing the role of a comedian." When she was in high school, Joan was in all the plays. We see her in Shakespearean costume. She still sees herself as an actress. She says: You can say anything about her as a comedian, but don't criticize her acting. That's the one thing that hurts. That may seem very odd, because do you think of her as an actress (other than in the sense that when she's doing her comedy she may conceive of herself as playing a character that isn't really her)? She had a dramatic role in the movie "The Swimmer" (with Burt Lancaster)? And in the 90s she starred in (and co-wrote) the Broadway play "Sally Marr ... and Her Escorts" (a play about the woman who is mostly famous for being Lenny Bruce's mother). The NYT said:
Is Ms. Rivers also a great actress? No, she is not. But she is exuberant, fearless and inexhaustible. If you admire performers for taking risks, then you can't help but applaud her efforts. "Sally Marr" asks her to dig down deep and dredge up some elemental emotions. Ms. Rivers backs off from none of them. In her portrayal of a gutsy woman who has hit the skids more than once in her 80-odd years, there is a childlike sincerity that exerts its own spell in the end. Between Ms. Rivers and Ms. Marr an understanding obviously exists.....

[E]arly on, when Sally goes into her theory of comedy. "You don't start with funny and make it funnier," she explains. "Comedy comes from pain."...

It is the play's contention that without Sally Marr... there would have been no Lenny Bruce. Her outspokenness blazed the way for his iconoclasm; from her hatred of hypocrisy sprang his. She was even there when he made his first tentative steps as an M.C. in strip joints to coach him on the intricacies of comic timing and lend him some of her material. "Lenny Bruce opened the door for every modern American comic, right?" she says, putting her checkered past into perspective for us. "So, in a way, you could say I gave birth to George Carlin and Richard Pryor and Eddie Murphy and Lily Tomlin and Robin Williams and Bill Cosby and Gilda Radner and David Letterman."
So is she an actress, and if so, who is the real person? I don't think you get the answer in the "Joan Rivers: A Piece of Work." There's a scene where she's doing a radio promotion for her new book — "Men Are Stupid . . . And They Like Big Boobs: A Woman's Guide to Beauty Through Plastic Surgery" — and the interviewer goes on about how, whatever a woman does to herself to try to look beautiful, she must, in the end, want to be loved as the person she really is. Joan's response: Who is the real me? Perhaps when the real person is an actor, there is a hollowness that must be filled with a written character.

***

Note to commenters: Please say something more interesting than that you don't like her surgically destroyed face. We can take that as a given. Don't be boring. It's worse than being ugly. Around here.

I'm going to have to defend my fellow garbage pail kid, John Mayer.

I'm only noticing this story because a "Human Garbage" listmate asked me what John Mayer was doing there with us. So, let's look at what Mayer said:
Mayer, 32, told [a Playboy] interviewer: "Someone asked me the other day, 'What does it feel like now to have a hood pass?' And by the way, it's sort of a contradiction in terms, because if you really had a hood pass, you could call it a n*gger pass."...
I think he's musing about whether it's fair for him to see himself as having earned credibility in the way that a black person would. That's deferential to black people. He's also using the N-word, which is never a good idea for a white person, but if really had a "hood pass," it might be an argument that he should be able to use the taboo word the way a black person can. By actually using the word, he's implicitly making that argument.

He goes on to say:
"What is being black?" He then answers himself: "It's making the most of your life, not taking a single moment for granted. Taking something that's seen as a struggle and making it work for you, or you'll die inside. Not to say that my struggle is like the collective struggle of black America. But maybe my struggle is similar to one black dude's."
That supports my interpretation of what he was trying to say. My point isn't that he should use the word, only that he didn't have a hateful reason for saying it. Substantively, he is sympathetic to black people and thoughtful. But form can eclipse substance. In short: Don't use the N-word, even to make an enlightened point about race. It's inflammatory, distracting, and likely to be taken the wrong way.

And then there's this:
When asked by the interviewer, "Do black women throw themselves at you?", Mayer responds: "I don't think I open myself to it. My dick is sort of like a white supremacist. I've got a Benetton heart and a fuckin' David Duke cock. I'm going to start dating separately from my dick."
He's being outrageous there, but read, people. He's insulting his own penis! He's saying his penis is a big racist. That is, he's always gone out with white women, because he's been following his cock. Now, he's saying, he'd like to be more open-minded and have his heart take over. Let the cock be the follower now. He's trying to entertain Playboy readers, and that actually is funny.

Why not read and think first before attacking this man? Let your mind go first, not your... whatever you have instead of a dick that gives you a stupid instinct for racial excitement.

Now, Mayer tweets that he was wrong — about the N-word:
"I am sorry that I used the word. And it's a shame that I did because the point I was trying to make was the exact opposite spirit of the word itself. It was arrogant of me to think I could intellectualise using it, because I realise there's no intellectualising a word that is so emotionally charged."
It was arrogant — he's saying — to think other people would be intellectually sharp and interested in ideas. It's a bit of a nonapology. He's pretty close to saying: I'm sorry people are stupid. But obviously he knows what is obvious: The word is what it is because it transcends thought and stimulates emotion. The decision to use it is a decision to go for emotion. You can't really complain that people got distracted by the distraction you created.

Now, if you're really smart and you do it right — or maybe only if you're Lenny Bruce — you might find a way to use the very emotional distraction to leverage your way to a brilliant, enlightened, substantive statement about race. But Lenny Bruce wouldn't have tweeted an apology if he were misunderstood. He'd have said something else smart, not whined about how other people aren't smart enough to get him.
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