The pencil-thin president caught the parasites on a trip last year to Hawaii, where he and his family also vacationed over Christmas, according to top political insiders.If that were really true, people would be flocking to Hawaii to get the parasites so they could lose weight. Oh? You think that's absurd? People wouldn't do that? They get surgery on their stomachs— surgery that could kill them — and that only makes them lose weight because they eat less. If there were parasites that made you ultra-thin, people would buy them and swallow them whole. We'd be seeing ads on the internet.
Did anybody honest to God think this would work? Answer: Evidently. A few seconds with Google turns up an authentic-looking advertisement for "sanitized tapeworms" ("friends for a fair form") that appears to date from the turn of the last century. A hoax? Maybe, but it convinced at least one medical expert, endocrinologist Zachary Bloomgarden, who in a 2000 article in Diabetes Care wrote, "Approaches to decreasing nutrient absorption date from the early 1900s, when diet treatment with 'sanitized tapeworms' was widely advertised."It's a terrible idea, I hasten to add:
An adult tapeworm can grow up to 50 feet long and live up to 20 years. Tapeworm eggs are even worse, as the larvae that emerge from them are prone to burrow out of your intestines and find homes elsewhere in your body. For example, the pork tapeworm can cause neurocysticercosis, in which the larvae migrate through the stomach or intestinal lining and up into your brain. There they form destructive cysts, triggering immune responses that can lead to epileptic seizures or worse. The cysts formed by sheep tapeworm larvae may reach the size of grapefruit; they can rupture blood vessels when they break, resulting in shock and death.That is the way people think. I say if the National Enquirer were right about the President's parasites, somebody would be selling Presidential Parasites on the internet.
Death, schmeath, you say: will I lose weight?...
Washington is awash with rumours over the identity of the anonymous author of a new novel written by an Obama insider.Oh, blah. Does anyone really care? As to the first one, people cared intensely!
He’ll be the best president he can be. Most of those guys come into office with the best of intentions and leave as beaten men. Johnson would be a good example of that … Nixon, Clinton in a way, Truman, all the rest of them going back. You know, it’s like they all fly too close to the sun and get burned.I was just thinking about that this morning, as I looked back at what Dylan did and didn't do at the concert. He didn't play "All Along the Watchtower," which, Meade tells me, has long been the last encore song.
It’s first-rate parody, and also untested waters. Mr. Obama was a favorite of comedians even before he was elected president, but typically his stiffness and aloofness are their targets. In reimagining the President as an off-duty, fun-chasing tough guy, Baracka Flacka Flames is a different proposition.As well, you have taken leave of your senses!
On the one hand, it’s witty and incisive parody, as fluent in Mr. Obama’s tics as in hip-hop manners. The clip was filmed in front of an abandoned house in South Central Los Angeles and echoes the video of Waka Flocka Flame’s original song.
As well, it’s seemingly an acknowledgment by the filmmakers that racial stereotypes still shape how some people perceive the first couple, and that many divergent stripes of blackness can be collapsed into one idea.
Here's what I love about Dylan: He was exactly as you'd expect he would be. He wouldn't come to the rehearsal; usually, all these guys are practicing before the set in the evening. He didn't want to take a picture with me; usually all the talent is dying to take a picture with me and Michelle before the show, but he didn't show up to that. He came in and played "The Times They Are A-Changin'." A beautiful rendition. The guy is so steeped in this stuff that he can just come up with some new arrangement, and the song sounds completely different. Finishes the song, steps off the stage — I'm sitting right in the front row — comes up, shakes my hand, sort of tips his head, gives me just a little grin, and then leaves. And that was it — then he left. That was our only interaction with him. And I thought: That's how you want Bob Dylan, right? You don't want him to be all cheesin' and grinnin' with you. You want him to be a little skeptical about the whole enterprise. So that was a real treat.He segues on his own to the subject of Paul McCartney:
Having Paul McCartney here was also incredible. He's just a very gracious guy. When he was up there singing "Michelle" to Michelle, I was thinking to myself, "Imagine when Michelle was growing up, this little girl on the South Side of Chicago, from a working-class family." The notion that someday one of the Beatles would be singing his song to her in the White House — you couldn't imagine something like that.Wenner asks if he cried, and he starts his response...
Whenever I think about my wife, she can choke me up. My wife and my kids, they'll get to me.His aides make him stop the interview at that point. No crying in politics! Then he comes back a "moment later" and makes a speech to Wenner — "with intensity and passion, repeatedly stabbing the air with his finger" — about how people need to shake off their
Politicians who make good targets for humor tend to have a personality feature or physical characteristic, like a particular accent or a distinctive set of gestures, that are easily identifiable and thus can be exaggerated to make the politician look foolish, because exaggeration is what impressions and satire are built on....Obama's the Teflon of comedy, right? Because that's got to be the only reason comedians don't seem to be able to mock him.
The trouble with Obama is that he doesn't easily lend himself to mockery. He's famously cool -- never too hot, never too cold. And coolness itself is nothing if not a concerted effort to avoid being mocked.
First, I would like to thank the Academy for showing that it can be about the performance and not the politics. I want to thank Mrs. Hattie McDaniel for enduring all that she had to so that I would not have to. Tyler Perry and Oprah Winfrey, because you touched it, the whole world saw it. Ricky Anderson our attorney of Anderson and Smith thank you for your hard work. My entire BET family. My Precious family thank you so much. To my amazing husband Sidney, Thank you for showing me that sometimes you have to forego doing what’s popular to do what’s right. And baby, you were so right!Now, what was she talking about? What did her husband encourage her to do that was "right" but not "popular"? I'm guessing that she worried about playing a character that would be viewed by many as a racist stereotype, and her husband convinced her that it was a great script and a great dramatic role and she's an artist who should decide based on what is right for an artist: artistic principles. And Oprah touched it, and that worked some magic, taking much of the power out of the accusations of racism that had to have been anticipated.
[The director Lee Daniels told Mo’Nique] he had a part for her that was “going to mess up your career. You are going to lose your world, your audience, your standing in the BET community.” Mo'nique was not fazed. “I did not hesitate!” she exclaimed on a warm day in September in New York City. “I said to Lee, if you want me to play this demon, I am there.”....And, by the way, there was no mention of Barack Obama in Mo'Nique's speech. From that NYT article:
Although Mo’Nique’s performance as Precious’s mother has generated talk of an Oscar, Daniels has heard complaints from the black community about the image her character projects. “They see the film as negative to black women,” Daniels said. “Black women are the pillar of the family. Black men have left, and how dare I stab at the one thing that’s helped. So I told Mo’Nique, ‘They’re going to hate you for this movie.’ She said, ‘Let them hate me.’ ”
[T]he movie is not neutral on the subject of race and the prejudices that swirl around it, even in the supposedly postracial age of Obama. “ ‘Precious’ is so not Obama,” Daniels said. “ ‘Precious’ is so not P.C. What I learned from doing the film is that even though I am black, I’m prejudiced....”And who knows what Samuel L. Jackson was thinking? Watch his reaction to the speech:
... “As African-Americans, we are in an interesting place,” Daniels said. “Obama’s the president, and we want to aspire to that. But part of aspiring is disassociating from the face of Precious. To be honest, I was embarrassed to show this movie at Cannes. I didn’t want to exploit black people. And I wasn’t sure I wanted white French people to see our world.... But because of Obama, it’s now O.K. to be black. I can share that voice. I don’t have to lie. I’m proud of where I come from. And I wear it like a shield. ‘Precious’ is part of that.”
