Showing posts with label L.A.. Show all posts
Showing posts with label L.A.. Show all posts
"It seems to me that there's still reefer madness. It doesn't make any sense to just steal the cash and the herb."
The LAPD is closing down the medical marijuana dispensaries pot stores.
AND:
AND:
The team conducted three busts before the one at Colorado Collective, making a half-dozen arrests, seizing $7,265 in cash and 43 pounds of marijuana at Kush Korner II in Wilmington, Nirvana Pharmacy in Westwood and Kind for Cures in a former Kentucky Fried Chicken store in Palms.Wow, there's a "South Park" episode about that KFC that became a pot store: "Medicinal Fried Chicken."
Labels:
"South Park",
L.A.,
law,
marijuana
Saw the movie "Changeling" last night but I don't like to write movie reviews...
... so let me do what I did for the last Clint Eastwood movie I saw and challenge myself to write a list of 10 things. Here goes:
1. There were several points in this movie where, if I didn't know it was a true story, I would have turned it off. It's incredibly melodramatic. But if it's true, it's not incredible. It's credible.
2. I loathe movies about children in danger, both because I don't enjoy seeing children suffer and because I don't want to watch an actress ham it up pretending to be a mother who is agonizing over her suffering child. But I shielded myself from knowing what the story was going to be because I was told — by my son Chris — that the movie contained the greatest acting performance of the last decade and once I decide I will see a movie, I avoid reading anything about the plot.
3. I'd never seen an Angelina Jolie movie before. Looking at the list of movies she's made, I can see why. Although she seems like the biggest movie star in the world, she hasn't made many movies, and they aren't very good. She's done genres that I don't much follow (anymore). For example, she did one of the voices in "Kung Fu Panda." When I think of "Kung Fu Panda," I think of the Joshua Ferris short story "The Dinner Party":
4. Jolie emotes. That's for sure. It's what's called for and she does it. She goes all out and does it. She's the female Jack Nicholson. And this movie has a good dose of "One Flew Over the Cuckoo's Nest" in it. Now, take your medication. Or we'll give you an electroshock treatment. "Changeling" also made me think about another great Jack Nicholson movie, "Chinatown." Lots of L.A., lots of corruption.
5. Did Jolie out-act Kate Winslet? Winslet won the Oscar that year — for "The Reader." "The Reader" is also a melodrama, but it presents itself in less of a melodramatic style. Although "The Reader" is set in the Holocaust, the character is fictional, and her story is presented in a more dignified Oscar-worthy vehicle.
6. Quite oddly, there is a scene in "Changeling" in which the main character is listening to the Oscars presentation on the radio and rooting for her favorite movie to win. The movie is "It Happened One Night," and Jolie's character expresses her fondness for Claudette Colbert, who won an Oscar for her role. "It Happened One Night" swept the top 5 categories at the Oscars, and it wasn't until "One Flew Over the Cuckoo's Nest" that another movie swept the Oscars. I wondered what Clint Eastwood thought he was saying to the Academy by putting that Oscars scene in "Changeling." I don't think he was kissing their ass trying to get Oscars. Maybe it was a way to say Oscars are amusement for the people and they don't really matter to me anymore. But it would be pretty funny for Jolie to win an Oscar for a role where we'd have a clip of her in character getting excited about an Oscar win. It would be cute. Maybe she got some votes from Academy members who liked that.
7. Like "The Reader," "Changeling" has a scene that depicts
Mouse over Highlight to reveal spoiler.)(I think that's the first time I've used HTML that way.)
8. If you like red lipstick, this is the ultimate red lipstick movie. You've got, first of all, Angelina Jolie's famous, immense lips, and then you've got red red lipstick — of the historically accurate matte texture. And it looks like it was put on amateurishly by the character.
9. You like cloche hats? You will see cloche hats. Angelina Jolie's character seems to require a cloche hat — and gloves. (I couldn't figure out how she avoided getting red lipstick all over her gloves.) This is the ultimate cloche hat movie. What does the cloche hat mean? It speaks of the character's vulnerability and need for armor, which makes it
10. What's with Angelina Jolie's hands?
11. Jolie calls Clint Eastwood "very much the ideal man":
Oh! I went to 11. I thought it would be hard to get to 10. Ha. I guess I enjoyed that movie. Maybe I'll watch it again with somebody who hasn't seen it before. Back in the 80s, we used to love showing "The Terminator" to people who hadn't seen it yet. All the surprises would be new again. Last week, I was flipping channels and came to rest on "From Dusk to Dawn," which had just started. I'd seen it before, but Meade hadn't. Great vicarious fun for me.
1. There were several points in this movie where, if I didn't know it was a true story, I would have turned it off. It's incredibly melodramatic. But if it's true, it's not incredible. It's credible.
2. I loathe movies about children in danger, both because I don't enjoy seeing children suffer and because I don't want to watch an actress ham it up pretending to be a mother who is agonizing over her suffering child. But I shielded myself from knowing what the story was going to be because I was told — by my son Chris — that the movie contained the greatest acting performance of the last decade and once I decide I will see a movie, I avoid reading anything about the plot.
3. I'd never seen an Angelina Jolie movie before. Looking at the list of movies she's made, I can see why. Although she seems like the biggest movie star in the world, she hasn't made many movies, and they aren't very good. She's done genres that I don't much follow (anymore). For example, she did one of the voices in "Kung Fu Panda." When I think of "Kung Fu Panda," I think of the Joshua Ferris short story "The Dinner Party":
“They just got their dates wrong, is all,” he said, “and tomorrow, when they call, they’ll tell you how sorry they are. They had to turn their phones off during the late showing of ‘Kung Fu Panda’ or something.”One wouldn't see "Kung Fu Panda."
“So they went to see ‘Kung Fu Panda’ tonight,” she said.
“Or something like it.”
“And they turned their phones off so they wouldn’t ring during ‘Kung Fu Panda.’ ”
“Or,” he said. “Or.” He put his finger up. They were standing near the bedroom doorway. There was dim light coming from the dark room and he was suddenly irrationally afraid, as he had been as a child, that if anyone stepped inside, if she stepped inside, she would plummet to the center of the earth. He lowered his finger. “I’m sorry,” he said. “I don’t think they went to see ‘Kung Fu Panda.’ ”
4. Jolie emotes. That's for sure. It's what's called for and she does it. She goes all out and does it. She's the female Jack Nicholson. And this movie has a good dose of "One Flew Over the Cuckoo's Nest" in it. Now, take your medication. Or we'll give you an electroshock treatment. "Changeling" also made me think about another great Jack Nicholson movie, "Chinatown." Lots of L.A., lots of corruption.
5. Did Jolie out-act Kate Winslet? Winslet won the Oscar that year — for "The Reader." "The Reader" is also a melodrama, but it presents itself in less of a melodramatic style. Although "The Reader" is set in the Holocaust, the character is fictional, and her story is presented in a more dignified Oscar-worthy vehicle.
6. Quite oddly, there is a scene in "Changeling" in which the main character is listening to the Oscars presentation on the radio and rooting for her favorite movie to win. The movie is "It Happened One Night," and Jolie's character expresses her fondness for Claudette Colbert, who won an Oscar for her role. "It Happened One Night" swept the top 5 categories at the Oscars, and it wasn't until "One Flew Over the Cuckoo's Nest" that another movie swept the Oscars. I wondered what Clint Eastwood thought he was saying to the Academy by putting that Oscars scene in "Changeling." I don't think he was kissing their ass trying to get Oscars. Maybe it was a way to say Oscars are amusement for the people and they don't really matter to me anymore. But it would be pretty funny for Jolie to win an Oscar for a role where we'd have a clip of her in character getting excited about an Oscar win. It would be cute. Maybe she got some votes from Academy members who liked that.
7. Like "The Reader," "Changeling" has a scene that depicts
a hanging and uses a closeup of the hanged person's dangling feet — or is it just the shoes on the floor in "The Reader"? I forget.
(8. If you like red lipstick, this is the ultimate red lipstick movie. You've got, first of all, Angelina Jolie's famous, immense lips, and then you've got red red lipstick — of the historically accurate matte texture. And it looks like it was put on amateurishly by the character.
9. You like cloche hats? You will see cloche hats. Angelina Jolie's character seems to require a cloche hat — and gloves. (I couldn't figure out how she avoided getting red lipstick all over her gloves.) This is the ultimate cloche hat movie. What does the cloche hat mean? It speaks of the character's vulnerability and need for armor, which makes it
especially painful for us to see her without its protection when she's thrown into the psycho hospital.
10. What's with Angelina Jolie's hands?
11. Jolie calls Clint Eastwood "very much the ideal man":
Maybe it's generational, but I think we could use more of it. People look up to him. He is absolutely who he is. He doesn't apologize to anybody. He has very, very strong, decisive opinions and is very gracious as a man, as a friend and somebody on set as a director, too.She tags on the wifely niceness — "Brad knows that he's my ideal man" — but, reading that, I hear the emphasis on "my." Brad may be her ideal man, but Eastwood is the ideal man.
Oh! I went to 11. I thought it would be hard to get to 10. Ha. I guess I enjoyed that movie. Maybe I'll watch it again with somebody who hasn't seen it before. Back in the 80s, we used to love showing "The Terminator" to people who hadn't seen it yet. All the surprises would be new again. Last week, I was flipping channels and came to rest on "From Dusk to Dawn," which had just started. I'd seen it before, but Meade hadn't. Great vicarious fun for me.
Labels:
actors,
Althouse + Meade,
Angelina Jolie,
Brad Pitt,
cartoons,
Chris,
Clint Eastwood,
fiction,
gloves,
hats,
Jack Nicholson,
Kate Winslet,
L.A.,
lips,
lipstick,
masculinity,
Oscars
"Marijuana seems to be marching mainstream at a fairly rapid pace."
Observes the possibly drug-addled Los Angeles Times:
Back to the LA Times hallucination:
Quit laughing. Quit whining. Here. You can watch the entire movie "Reefer Madness" (originally titled "Tell Your Children"). It's so old it's in in the public domain...
... and yet marijuana is still illegal.
ADDED: Jonah Lehrer:
At least in urban areas such as Los Angeles, cannabis culture is coming out of the closet.Well, then, legalization must be right around the corner. Remember thinking that around 1969? I do. In 20 or 30 years, people said, we'll be the ones in Congress, and — ha ha ha ha — there's no way we won't legalize marijuana! It's 40 years now, and what happened?
At fashion-insider parties, joints are passed nearly as freely as hors d'oeuvres. Traces of the acrid smoke waft from restaurant patios, car windows and passing pedestrians on the city streets -- in broad daylight. Even the art of name-dropping in casual conversation -- once limited to celebrity sightings and designer shoe purchases -- now includes the occasional boast of recently discovered weed strains such as "Strawberry Cough" and "Purple Kush."...
Marijuana's presence on TV and in the movies has moved from the harbinger of bad things including murderous rage ("Reefer Madness" in 1936) to full-scale hauntings ("Poltergeist" in 1982) and burger runs gone awry ("Harold & Kumar go to White Castle" in 2001) to being just another fixture in the pop-culture firmament. Cannabis crops up on shows such as "Entourage," "Curb Your Enthusiasm," "True Blood" and "Desperate Housewives," and even on animated shows such as "The Simpsons" and "Family Guy."...
Back to the LA Times hallucination:
Richard Laermer, a media and pop culture trend watcher and author of several books, including "2011: Trendspotting for the Next Decade," ... points to a ... subtle shift: aging baby boomers — a generation famous for tuning in, turning on and dropping out — who are keeping their party habits going into their golden years.Hello? The Boomers have been in power for decades, so I guess we are hard to fathom. Hey, we're deep and complex and... just as hypocritical as every other generation that ever flowered and went to seed. You can laugh at us all you want, but you actually can't laugh us out of the room... or out of Congress.
"It's hard to fathom that the fifty- and sixtysomethings would be against pot after all the pot they smoked," Laermer said, "Their kids would laugh them out of the room if they started telling them not to smoke pot."
Quit laughing. Quit whining. Here. You can watch the entire movie "Reefer Madness" (originally titled "Tell Your Children"). It's so old it's in in the public domain...
... and yet marijuana is still illegal.
ADDED: Jonah Lehrer:
I recently moved to Los Angeles and I'm still adjusting to all the medical marijuana stores - there are two within a mile of my apartment. And it's not just the dispensaries, with their parking lots full of fancy cars - it's the Amsterdamesque attitude. Light up a joint and people ask for a hit; light up a cigarette and they give you a dirty look.Speaking of hypocrisy... "medical" marijuana....
Labels:
baby boomers,
drugs,
hypocrisy,
L.A.,
L.A. Times,
law,
marijuana,
movies
"Out of curiousity, checking to see where Althouse was blogwise last August 3rd."
Writes XWL in yesterday's comments:
And yesterday, August 3, 2009, our wedding day, I got the old fisheye out after a long while. It was great for arm's-length shots of the 2 of us, including lots of scenery along with the full view of our heads, because the angle is so wide. Unfortunately, most of these shots are too intimate for blog use. You'll have to imagine those. You do have the hands with rings shot below, and I have another I'm going to put up in a separate post, coming soon.
I like looking back to a year ago too. If someone had told me at the time that I would get married a year later, I would have been astounded. I really did not think of myself as the marrying kind. I was very post-married then, very much into being on my own and not being judged or beholden to anybody. My motto — referring quite specifically to marriage — was "I will not serve."
A year passes. Who knows what will happen?
Gender issuesThanks for noticing. I was on vacation then too. It was especially funny to me to see that on August 3, 2008, I switched to the fisheye lens: "I realized I had the fisheye in my bag, and this is the first fisheye shot... L.A. crystalized for me in extravagantly bent form at that moment. It was all fisheye from there."
Dowd on Obama
Pics from the SM Pier (and discussion of men in shorts)
A heartfelt plee to judiciously apply some strict originalism to the constitution of sandwiches
Melrose Ave pics (which reminds me, I guess I should take some snaps there myself)
Fred Segals, Fish-Eyed, and not Fish-Eyed
Althouse managed six posts this August 3rd as well as in 2008, even while getting hitched, impressive consistency, that.
Interesting set of posts, though, the Dowd thing is a reminder of how ridiculous the press was with regards to Obama before the election, and the sandwich manifesto is probably something that deserves revisiting.
Again, congratulations to you both, it's a wonderful and daring thing both of you have done.
And yesterday, August 3, 2009, our wedding day, I got the old fisheye out after a long while. It was great for arm's-length shots of the 2 of us, including lots of scenery along with the full view of our heads, because the angle is so wide. Unfortunately, most of these shots are too intimate for blog use. You'll have to imagine those. You do have the hands with rings shot below, and I have another I'm going to put up in a separate post, coming soon.
I like looking back to a year ago too. If someone had told me at the time that I would get married a year later, I would have been astounded. I really did not think of myself as the marrying kind. I was very post-married then, very much into being on my own and not being judged or beholden to anybody. My motto — referring quite specifically to marriage — was "I will not serve."
A year passes. Who knows what will happen?
Labels:
Althouse + Meade,
fisheye,
L.A.,
marriage,
maureen dowd,
photography,
sandwich,
XWL
"Defense invokes 'Crash,' blaming chance encounter for man's death."
You have to read through a half page of sympathetic verbiage before you get to the description of the actual crime:
A passenger in a nearby vehicle said [David] Jassy's SUV rolled so far into the crosswalk that it almost struck [John] Osnes. The pedestrian reacted by bringing his hands down on the hood of the SUV and shouting something, witnesses said.For the love of God, what bullshit! It's one thing for lawyers to be shameless, quite another to make an argument so insanely self-serving that everyone recoils in disgust.
Jassy immediately got out of the SUV and punched Osnes, witnesses testified. The blow knocked Osnes off balance and as he stooped -- either to regain his footing or to pick up his glasses -- Jassy kicked him in the face, the witnesses said.
"Like somebody punting a football," motorist Rinn testified. "He stepped into it."
The kick from the 6-foot, 200-pound Jassy lifted Osnes, who was 6-foot-3 and weighed about 160 pounds, off his feet, said R.J. Young, an off-duty Anaheim police officer who was in a car stopped at the intersection.
Another witness told police that Jassy shouted, "Stupid, why did you touch my car?"
Young said he thought he had witnessed "a possible homicide if not a felony assault" and ran toward Jassy, who was getting back into his SUV. The officer said he grabbed at the passenger door and slammed his badge against the window, shouting, "Police officer! Stop!"
He said Jassy looked at him, then put the vehicle into drive and turned its wheels in the direction of Osnes' body. The officer testified that he was still holding on to the door when the SUV rolled over Osnes....
In court papers, [Jassy's] lawyer wrote that Osnes' death fit the thesis of the film "Crash" -- "that random interactions of diverse people in a city as frenetic as Los Angeles can lead to disastrous consequences." He said the case begged a series of "what ifs," starting with, "What would have happened if Mr. Jassy and Mr. Osnes had not arrived on the same corner at the same time?"
The prosecutor, Sarika Kapoor, shot back: "The only 'what if' we are left with is: What if the defendant valued human life?"
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