Now we know why now why Mary shuns the Internet: it’s full of people, talking about their lives, unprompted by Mary’s probing questions, a prospect she finds completely ghastly.
"That’s anti-Semitic? That looks to me like a public figure with devil horns drawn on his head. I mean, I’m a guy who has gotten into bar fights over how The Smurfs are anti-Semitic (I mean Gargamel. Really?), but I can hardly fathom how drawing devil horns on a photo conveys any ethnic malice."
Writes Elie Mystal, making a point but also displaying some surprising ignorance about iconography.
[T]he similarities to Beck's rally are just the sort of thing Stewart himself would satirize on his show if, of course, it weren't his rally and his TV show in the first place. In his few pre-rally comments, Stewart has reached for some of the broad values and high-minded themes that Beck's did -- civility, decency, making America better -- though admittedly with fewer religious allusions and more comic panache.....
[A] mass gathering with the stated aim of being nice. Is that a role a satirist can really play?
ADDED: Stewart is, of course, attempting to help the Democrats. But don't Democrats worry about losing control of the imagery? I assume the crowd Stewart pulls in will not give off finely tuned niceness vibes and, in all likelihood, they will project a much more left-wing image than Democrats would like to be identified with.
There's a nice tribute to Lennon in today's Google logo. An animated line drawing, with exactly what you'd expect in the audio track. Must it always be "Imagine"?
Imagine no "Imagine" What song would they use For every Lennon tribute In the annual Lennon news Imagine all the people Freed from that old song...
You may say I'm a dreamer Like some crazy peacenik dove I hope someday you'll join me And the new song would be Love.
[O]n the insistence of top security specialists at the FBI, she is... moving, changing her name, and essentially wiping away her identity... in effect, being put into a witness-protection program—except, as she notes, without the government picking up the tab. It's all because of the appalling fatwa issued against her this summer, following her infamous "Everybody Draw Mohammed Day" cartoon.
Terrible. My heart goes out to you, Molly, even though I was always opposed to the "everybody draw Mohammed" approach to protesting the threats against the cartoonists who had drawn Muhammad. I believe strongly in free speech rights, but I think people should, in deciding how to exercise their rights, think about the effect their speech has on others who don't deserve to be offended. I imagine (and hope) that Molly is drawing her adventures and telling her story in what will be a widely read comic book. She has a charming drawing style and a nice sense of humor — plus the panache of unjust persecution and danger. Good luck!
ADDED: There's a big Metafilter thread about it, which I'm reading after writing that. A surprising number of people are blaming Norris for bringing the death threats on herself.
If it seems almost routine to throw a no-hitter now, then consider one that was not.
Forty years ago, Dock Ellis of the Pittsburgh Pirates raised the degree of difficulty to new, well, heights. He threw a no-hitter with Richard M. Nixon calling balls and strikes and Jimi Hendrix, wielding a Fender Stratocaster instead of a Louisville Slugger, digging in at home plate.
Or at least that is what he thought while pitching under the influence of LSD.
Who knows what really happened, but it's Ellis's own voice that's the soundtrack of this animation by James Blagden:
Of course, the article inside isn't critical of Michelle Obama and her eat-your-vegetables shtick. It's critical of Obama, but not because he eats cheeseburgers, because he "loves up industrial agriculture." We're supposed to identify with the angry woman swinging her lo-cal phallic symbols at her man. (At least they aren't cut up phallic symbols like the ones Hillary famously foisted on Bill.) The cheeseburger Obama prefers — like the onion rings Bill Clinton preferred — is a symbol, a symbol of what he loves. In Obama's case, according to the article, it's agribusiness. He "loves up" agribusiness, that big sloppy, gooey cheeseburger.
It's Utne Reader, that magazine for aging lefties, and the article assumes you're into the anti-business agenda. The magazine assumes you'll identify with Michelle and her vegetables and is oblivious to the possible revulsion you might feel to the angry face they've given her. You're supposed to think: Yes, Obama, come back to your lefty roots. (Note: Carrots are roots.) Your policies need to kick big business in the ass and embrace the local and sustainable and holistic.
But I didn't get that far into the magazine. The library was closing and the rainstorm was ending, and we needed to get back to the Glacial Drumlin Trail. I only had time to read: 1. a letter from the editor by a subscriber who was sending back an issue of the magazine because it had Sarah Palin on the cover and she didn't want to look at that ever ever ever (though presumably the articles inside assailed the Alaskan), 2. "On Being Fat and Running: Abandoning insecurity for a full life," by Brenton Dickieson, from Geez, and "Sentenced to Life: A man ages in prison and outlives society’s fears," by Kenneth E. Hartman, from Notre Dame. But none of those things are accessible on line, so I can't send Utne Reader some traffic and set up some discussion about that here.
The Hartman article is a reprint, and — unlike the Geez reprint about running while fat — the original is on line, so you can read it.
Prison is a young man’s world, a world of physical violence and posturing, a world of brute strength and primal, unfocused rage. It is not a place to grow old, although more and more of us are doing just that: growing old in prison.
But Utne Reader is not a young man's world — or a young woman's world. It feels like an old person's place. I felt too young for it... and I'm old. Or it's for those other aging Americans... the lefties. I see these people in Madison all the time. Do they feel left behind? Do you think the day will come when "lefty" will seem to mean left behind?
IN THE COMMENTS: lemondog has a way to get to an enlargement of the cover. Here's a closeup screen grab that shows Michelle's face:
The artist is Jason Seiler. Nice work. I notice the cigarette over the ear now. Ha.
Using lemondog's method, I can get to that letter about Sarah Palin. If you page forward in the magazine, you'll find it. You can see the cover that upset the poor woman so. She complains:
When the media gives air space, page space, and cover space (albeit in jest or irony) to crazies such as Palin, they are complicit in her plan to lend credence to the climate of ignorance, sensationalism, and just downright muddled thinking that is passed off as a national discourse these days — and which she is one of the most visible muddlers.
Jeez, the mere image of Sarah Palin unleashes hysteria.
AND: The image of Michelle Obama drives other people nuts. Women's faces. They're so provocative.
The xkcd cartoon was particularly apt in skewering three useless but nevertheless common features on a college’s home page, said Mark Greenfield, director of Web services at the State University of New York at Buffalo and an associate consultant at the major higher-ed consulting firm Noel-Levitz. Specifically: the statement of philosophy, the letter from the president or provost, and the campus news feed.
Having those up there might seem like a good idea to the administrative committees that tend to dictate website content, Greenfield said, but they are rarely useful to the website’s most strategically important kind of visitor: the prospective student. Prospective students are more interested in information about majors or financial aid than administrative rhetoric or photos or “pretty girls studying under trees” — a trope so recurrent that it became a running joke at last year’s HighEdWeb Association conference, Greenfield said. “[Prospective students] have been marketed to their entire lives, and they are not looking for that marketing hype,” he said. “They’re looking for authenticity.”
