Showing posts with label blood. Show all posts
Showing posts with label blood. Show all posts
Dino De Laurentiis, "the high-flying Italian film producer," has died.
He was 91. His name is attached to some of the greatest films ever — notably "La Strada" and "Nights of Cabiria" — and some all-out trashy pop entertainment — like "Bararella" and "Mandingo."
Here's a list of his 166 movies. How many of them have you seen? I've got to say I've managed to steer clear of de Laurentiis films. Other than "La Strada" and "Nights of Cabiria" — 2 of my favorite films, directed by Fellini — the only one I've seen — and we watched it for a laugh — is "Conan the Barbarian."
I never saw the de Laurentiis remake of "King Kong," which was filmed in New York City in 1976. I was living there then, and I remember the open invitation to anyone to come down to Lower Manhattan to be in the crowd scene. I considered going but didn't. I read this article in the NYT on June 22, 1976:
Here's a list of his 166 movies. How many of them have you seen? I've got to say I've managed to steer clear of de Laurentiis films. Other than "La Strada" and "Nights of Cabiria" — 2 of my favorite films, directed by Fellini — the only one I've seen — and we watched it for a laugh — is "Conan the Barbarian."
I never saw the de Laurentiis remake of "King Kong," which was filmed in New York City in 1976. I was living there then, and I remember the open invitation to anyone to come down to Lower Manhattan to be in the crowd scene. I considered going but didn't. I read this article in the NYT on June 22, 1976:
Drawn by 1930's nostalgia and 1976 excitement, a horrified crowd of more than 5,000 New Yorkers surged past police lines at the World Trade Center last night on cue and fought its way to the spot where a giant gorilla lay dead after a 110-story fall from the North Tower.Ah! The unreachable past! When the the death was fake and not even human. What absurd fun we had!
The ape, constructed of styrofoam covered with horse hair and bleeding a mixture of Karo syrup and vegetable coloring was of course King Kong, the resurrected star of the 1933 thriller being remade by Dino de Laurentiis.
The extras cheered when a technician climbed on the chest of the fallen 40-foot ape to replenish its oozing "blood."
Labels:
9/11,
blood,
Fellini,
monsters,
movies,
NYC,
Schwarzenegger,
Young Althouse
A "CSI effect" in the Supreme Court?
From an oral argument about the right to counsel:
"If someone were moved from the bed, taken to the living room couch, you would have expected to see a trail of blood from the bed, and there wasn't that," said Justice Ruth Ginsburg.
Chief Justice John Roberts asked whether "he could have dragged him from the pool to the couch because there were drops along the way."
"Let's say there really was a gun fight, and Klein [the victim] fell someplace else," speculated Justice Samuel Alito. "Why is it so valuable to him to move Klein's body?"
Justice Sonia Sotomayor posed a hypothetical in which "one of those blood spots absolutely had to be Klein's near the bedroom."
"Why wouldn't he wipe up the blood?" Justice Antonin Scalia wanted to know. "I mean, what good is it to simply put him on the couch when you leave a pool of blood showing that that's where he was shot?"
Labels:
blood,
crime,
law,
murder,
Supreme Court
Kaus to Newsweek.
"Basically I write about what I feel strongly about, which is the blog's strength and also its weakness. I don't try to cover every topic. Readers know I won't waste their time unless I think I have something to add."
ADDED: The link is to the New York Observer which headlines: "Newsweek Staunches the Flow of Talent with Blogger Mickey Kaus." Well, Mickey is a staunch blogger and Newsweek may be bleeding, but the Observer needs to stanch the flow of usage errors.
ADDED: The link is to the New York Observer which headlines: "Newsweek Staunches the Flow of Talent with Blogger Mickey Kaus." Well, Mickey is a staunch blogger and Newsweek may be bleeding, but the Observer needs to stanch the flow of usage errors.
A political candidate displays his bloody wound.
Is this the way to argue that you should be governor?
We were talking about this ad in the comments to last night's live blog of "Dancing With the Stars," a show I was watching (for the first time) to see how Bristol Palin would be presented. Here in Wisconsin, in between the spangled, befringed, high-heeled prancers, we got an eyeful of Tom Barrett's gaping wound. Irene wrote:
We were talking about this ad in the comments to last night's live blog of "Dancing With the Stars," a show I was watching (for the first time) to see how Bristol Palin would be presented. Here in Wisconsin, in between the spangled, befringed, high-heeled prancers, we got an eyeful of Tom Barrett's gaping wound. Irene wrote:
In the Madison market, we were treated to an ad for Tom Barrett's campaign.I said:
He's using the horrific beating he suffered as the theme of the ad.
He has an attractive wife with short hair.
He has a labradoodle.
I've seen that ad before and think it's quite awful. So he did what a decent person would do and got hit in the face. For that, he should be governor? Aren't there 100 war heroes in Wisconsin with more serious injuries? Why is Barrett ahead of them? And what's with foisting a picture of a bloody wound in our faces over and over? And his wife saying over and over that he is a good guy? Aren't there 100,000 good guys in Wisconsin whose wives will vouch for them on camera? What nonsense!
Labels:
2010 elections,
advertising,
blood,
dancing,
Irene (the commenter),
marriage,
Tom Barrett
Maureen Dowd says Christine O'Donnell, like Barack Obama, is "smart to think of politics in terms of passion and myth."
That is, Barack Obama, the presidential campaigner. As an actual President, the "passion and myth... are sorely missing."
I was just reading an old post of mine from April 2007 — "Is Obama a gasbag?":
Obama’s bloodless rationality has helped spawn the right’s bloodletting of irrationality.Now, there's an assertion! I agree that the blood is on the right, but I'm not seeing much rationality from anyone.
[Obama] has never shaken off that slight patronizing attitude toward the working-class voters he is losing now, the ones he dubbed “bitter” during his campaign....Oh, my. This is all so Dowdesque. She gets multiple themes going, many mixed images, and she demands that you believe that she's tied them all together when she says she has. It's ironic here, because she's the one full of passionate intensity and low on rationality. What I just can't buy is that Obama is rational. He's phlegmatic. He always was. You can read that as rational, but it's irrational to do so.
The insane have achieved political respectability while the sane act too good for it all. The irrational celebrate while the rational act bored and above-it-all.
***
I was just reading an old post of mine from April 2007 — "Is Obama a gasbag?":
[I]f I didn't know who he was and that there was a crowd there, I would picture an old man slumped in an armchair, expatiating for the benefit of anyone unlucky enough to be within earshot. It's formless stream of consciousness. Oh, there is that theme of hope. The stream swirls back there at predictable intervals....Yes, I know, I ultimately voted for him. Here's a post of mine from February 2008 explaining how I got from "gasbag" to the decision to vote for him in the Wisconsin primary. I can't really say that I was terribly rational.
[R]eally, such drivel. Just listing a lot of issues and saying hope, hope, hope should not inspire real hope. I can't believe people are hearing this and thinking: brilliant rhetoric. "Intellectual slovenliness" is a much more apt phrase.
Don't go trespassing in abandoned buildings at night!
Blackout--The Scene of the Crime from Justin Warren on Vimeo.
***
(Disclosure: My son Chris worked on this project.)
(Facebook link.)
On rare occasions, I drew a comic strip...
... back in the 90s, when I was obsessed with drawing in sketchbooks. This one had some basis in reality:

(Enlarge.)

(Enlarge.)

(Enlarge.)
(Enlarge.)
(Enlarge.)
(Enlarge.)
Labels:
blood,
cartoons,
drawing,
ice cream,
things are not what they seem
Let's read "The Lifelong Single Gay Virgin."
This is another episode in a NY Magazine series, presenting, each week, a 7-days diary from a different anonymous individual. (I assume these are not fiction. Am I wrong?)
We're told the diarist is "27 years old, male, single, Upper West Side, gay":
Back to the virgin:
Maybe. In 1879.
We're told the diarist is "27 years old, male, single, Upper West Side, gay":
DAY ONEHa. Answer: Life isn't a movie. Imagine how different it would be if it was. Little random details would pay off big a few days/scenes later. Deja vu! I said Life isn't a movie to someone... yesterday. Ah, yes! A neighbor was describing her fight against gypsy moth caterpillars. Once she poisoned a tree full of them, and zillions of them fell to the ground and were writhing and bloody looking. (The juice that oozes out of them looks like human blood.) Later, she went out to clear the carcasses off the walkway, and they were all gone. She had a vision of them off somewhere gathering strength and plotting their revenge. Actually, her neighbor had swept the walk. But if it were a movie, the enraged caterpillars would be back — enlarged and superstrong as a result of the poison, Toxic Avenger-style — ready for human blood.
6:30 a.m.: Consume oatmeal, orange juice, and coffee while watching Remains of the Day. Anthony Hopkins manages to inadvertently seduce Emma Thompson despite being a sociopath. What am I doing wrong?
Back to the virgin:
7 a.m.: Lest anyone forget, Christopher Reeve was devastatingly handsome. Super. Smoking. Hot. Playing a principled American congressman doesn't hurt, either.Ah! This is exceedingly charming. Have you never experienced extended virginity/celibacy? I'd say this captures the vibe brilliantly. Was Thomas Edison — little Alvy — ever cute?
8:30 a.m.: Commute to nonprofit job. No one on my trains are cute enough to tear me away from my crossword puzzle. Thomas Edison's middle name: Alva....
Maybe. In 1879.
DAY TWOAnd that is the dangerous thought. But what is more seductive than dangerous thoughts? Did you recoil from that idea as from a bloody, enraged gypsy moth caterpillar? Did you shrink from it like a penis reacting to New Jersey? Do you immediately assume this young man is deluded and pathetic? He could be right. What would the world be like if he were right? Take a moment to imagine it. Did you imagine the world we are in? If not, why not?
5:30 a.m.: Commute to Penn Station. Dear day laborers who crowd the early morning trains, please touch me with your rough, dirty, work-worn hands. Much obliged.
7:30 a.m.: Business trip to New Jersey. This state is worse than I remembered. My penis is inverting....
6:30 p.m.: Call non-boyfriend and tell him not to visit. He is upset. I feel like a jerk. Perhaps I am a jerk.
8 p.m.: I wonder if being single forever is the curse that everyone says it is. I'm single, have always been single. I used to think that despite a dearth in sexual partners and romantic relationships, I was genuinely happy. But now I think that because of a dearth in sexual partners and romantic relationships, I'm genuinely happy.
Labels:
blood,
celibacy,
homosexuality,
insects,
masculine beauty,
monsters,
movies,
New Jersey,
puzzles,
relationships,
sex,
solitude
35 years of "Blood on the Tracks."
Do you remember waking up in that tenement apartment that morning in 1975 and listening to the new Dylan album on the FM radio? "'Twas in another lifetime... one of toil and blood..."
Shelter from the Storm begins with four seconds of unaccompanied acoustic guitar strumming, lively, purposeful, and then it is joined by the voice. “’Twas in another lifetime,” Dylan begins, “one of toil and blood,” immediately establishing this song as one cut from the same musical cloth as the traditional folk tales, gospel songs, and murder ballads Robert Zimmerman was learning before he “came in from the wilderness,” only not as “a creature void of form” but as “Bob Dylan”. It is a song that, thirty-five years after its original release, remains both contemporary and as timeless as one of the most basic archetypes of human experience: the hunter.I made fun of the mixed metaphor — I had the ridiculous image of somebody raping a crocodile in a cornfield — and you defended Bob. That was in another lifetime, it seems.
History and myth reveal three basic types of hunter: first, the hunter/gatherer who operates strictly to sustain life on either a personal or group level; second, a warrior whose primary motivation is destruction; third, a seeker whose interest lies in finding Holy Grails or a heart of gold.
The hunter in Shelter is ... a seeker with no interest in destruction but reconnection. Despite being “burned out from exhaustion, buried in the hail, poisoned in the bushes an’ blown out on the trail, hunted like a crocodile (the hunter becomes the hunted), ravaged in the corn”, this quest will continue until she is found or the hunter is dead. “Nothing really matters much,” the narrator in Shelter states, “it’s doom (destiny, fate) alone that counts.”
Labels:
blood,
corn,
crocodiles,
Dylan,
metaphor,
Young Althouse
"Curt Schilling? The Red Sox great pitcher of the bloody sock?"
Martha Coakley blunders horribly/hilariously, either not knowing who Curt Schilling is or — if you believe her spokesman's explanation — making the dumbest "very, very deadpan" wisecrack in political history. If it's any consolation, Martha, I didn't know who Curt Schilling is either. Bloody sock sounded interesting. I had to look it up. Now, would you excuse me? I cut my foot before and my shoe is filling up with blood.
Subscribe to:
Posts (Atom)