Showing posts with label drawing. Show all posts
Showing posts with label drawing. Show all posts

Inside the Wisconsin Capitol building, at the protest today.

In the rotunda, viewed with the fisheye lens (which feels at home in a round space):

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The police presence was strong:

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A man with a press pass sits on the ornate stone floor and works on his Power Book:

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"We Can't Lose" says a badly-drawn hand giving the peace sign:

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Enlarge to read more signs — "Moms Can Tell You Are Lying," etc.

A man in saggy pants and a Teamsters jacket talks to an hipsterish guy near a sign that says "Get Out of Your EGO, And into Your Heart, Walker Causes GAS, And it's Time to FART":

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Signs are laid out on the floor, and a woman sidles along viewing them as if they were a museum display:

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"A year ago, pretty much all law professors dismissed the argument as frivolous.... The law professors had a failure of imagination."

That's Randy Barnett — talking about the constitutional challenges to the health care law — quoted in Politico's ominously titled article "Right takes refuge in Constitution."

By the way, last Wednesday, I attended a Federalist Society-sponsored panel discussion here in Madison about this topic. One of the speakers was Wisconsin Attorney General J.B. Van Hollen, who has just taken steps to join the Florida lawsuit challenging the law. Also on the panel were Jon Richards, a state legislator who supports the law, and Ilya Somin, the George Mason law professor who has written that the lawsuits are at least not frivolous.

Scrambling to find 2 of the last few seats, Meade and I sat at a table which seemed to be full of lawyers who supported health care reform. One lawyer haughtily informed me that whatever law professors might think about the Constitution, it's really all politics, and this health care reform represents a big, important political effort and that's why it's going to be upheld in the courts. I said, if it's all politics, then what of all the politics pushing back against the law? What about the polls that show most people are against it and what about the last election? If you're going to say politics determines the outcome, then don't you have to take that politics into account too? The lawyer looked either alarmed or angry, because I, a law professor, didn't simply assert that the Constitution matters, which would have made it easy for him to irritatingly chuckle about naivete. But right then, the panel started, saving him from having to try to wriggle off my skewer.

Van Hollen kicked off the discussion with assertions that he joined the lawsuit not because he's opposed to the health care statute, but because of the rule of law. The litigation is important to test the scope of congressional power. We have a system of a balance of powers, which he likened to a "teeter-totter." The states have to take their position on the other side of the teeter totter or things aren't going to work very well. The idea is to push back against federal power and to give the courts the opportunity to clarify the law. Van Hollen speaks like the well-polished politician he is.

Richards was having none of this abstract rule-of-law business. Economic realities should trump legal jargon, he said. He portrayed constitutional law as a matter of technical conceptions that shouldn't be allowed to stop government from doing the things that need to be done. He focused on the policy reasons for supporting the law and the argument that the law is constitutional flowed naturally from his support of the law. As for lawsuits: "Lawsuits are a real distraction."

Somin said the rule of law is "technical conceptions" — which was the punchline of the day, in my view. He gave a measured presentation, explaining the case law in a professorly style, and assessing the odds that the Supreme Court would overturn the individual mandate. (He said the 4 liberals would stick together and uphold it, that the conservatives were a more "fractious" bunch, so although Scalia, Thomas, and Alito would vote against it, he doesn't know what Roberts and Kennedy will do.)

Here's my page of notes from the Somin part of the panel:

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After that, there were some questions from the audience. One questioner, trying to get his mind around the notion that the failure to buy insurance is inactivity and arguably therefore not "economic activity" within the meaning of the Commerce Clause case law, said "If you look at a human being as a going concern...." — which I thought was pretty funny. Yes, the government sees us as little businesses, as we sit here ostensibly doing nothing: our hearts pump blood, our gut digests food, and our brain cells spark with resistance to the purchase of products the government knows we should be buying.

ADDED: Video of the panel, via Ilya.

Molly Norris, the "Everybody Draw Mohammed Day" cartoonist, is "going ghost."

Her newspaper, Seattle Weekly, reports:
[O]n the insistence of top security specialists at the FBI, she is... moving, changing her name, and essentially wiping away her identity... in effect, being put into a witness-protection program—except, as she notes, without the government picking up the tab. It's all because of the appalling fatwa issued against her this summer, following her infamous "Everybody Draw Mohammed Day" cartoon.
Terrible. My heart goes out to you, Molly, even though I was always opposed to the "everybody draw Mohammed" approach to protesting the threats against the cartoonists who had drawn Muhammad. I believe strongly in free speech rights, but I think people should, in deciding how to exercise their rights, think about the effect their speech has on others who don't deserve to be offended. I imagine (and hope) that Molly is drawing her adventures and telling her story in what will be a widely read comic book. She has a charming drawing style and a nice sense of humor — plus the panache of unjust persecution and danger. Good luck!

ADDED: There's a big Metafilter thread about it, which I'm reading after writing that. A surprising number of people are blaming Norris for bringing the death threats on herself.

"Man, those sleeping-inside-a-giant-yam years are the worst."

"But it's all worth it when you can finally relax and listen to your huge infant-headed son's butt through a tin can on a string."

A Metafilter comment on a series of drawings by Ruth Gwily.

I'm not thrilled with the drawing itself, but the images give you something to talk about — is this The Life of a Woman? — and I love the simple website design that lets you scroll across a long series of drawings. That's so much better than a lot of thumbnails that you have to click to enlarge or do as a "slideshow."

I had this ideal of drawing the story of the day, the mundane stuff, as if it were a Twitter feed.

Even though there was no way to get it out.

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It was actually Mel Taylor who had died, and here's the NYT article I drew myself reading. There was a Don Wilson in The Ventures, as I can figure out now. I mixed up the names. I guess my sketchbooks are full of errors of the kind the internet would save me from today.

On rare occasions, I drew a comic strip...

... back in the 90s, when I was obsessed with drawing in sketchbooks. This one had some basis in reality:

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I was fascinated by the bloated mugs of ugly blowhards.

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I can't remember who that character was, but I drew that, from the TV, in the mid-90s.

I used to draw the news.

In the mid-90s, in the days before blogging, when I had only a marginal interest in the news, I'd watch TV, draw, and jot down disembodied phrases that amused me. Here's a good example of the sort of thing I did back then:

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I have no idea now what these politicians were talking about, and, apparently, I had the same feeling of distance back then. 

Althouse's needs are met!

We're happy to find a place that might be okay, open for lunch in New Richmond, Wisconsin. Bellarietta. I misread it as Bellateria and joke that it's deleterious.

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I'm cheered by the colored pencils and paper-topped table. (You know how I feel about drawing on table-paper. ("1 part Homer + 1 part Moai + a dash of Redon + sprinkle with love = Meade.") Ha. Those links go to last summer, in the early days of the Meadhouse marriage.) And there's a book too, in case we run out of amusing things to say: "The Little Book of After Dinner Speeches."

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(Enlarge to read the text of the open book... and the messages we've penciled on the table.)

After extensive consultation with our excellent server Tanya, I trusted them with a Philly steak sandwich and Meade, oddly enough, went for a black bean burger. It looked like this and tasted as good as you'd hope upon seeing it, and it's hard for bread to meet my high standard:

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Computer on the table? Damned right: There was WiFi! Yay! The wifie got her WiFi, and her hubby is happy with that. So marriage can work. It was possible to find a husband who suited my eccentric needs.

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And it was possible to find a great place to eat in this little town in the middle of Wisconsin.

Life is good!

"Treat Me Like Your Mother Or I'll Eat the Sun."

The title of a drawing in an art show by Frances Bean Cobain, who will turn 18 next month and by so doing get her hands on a tremendous amount of money.

"Tack's Cartoon Tips."

A 1923 instructional booklet, in Flickr sideshow form. It plays fast, so note the pause button. It's interesting to see how some things that are really offensive by current standards —  at pages 6 and 9 — are presented casually as if they are just part of the silly circus of everyday life.

"Some Kid."

Hilarious.

(And don't miss this week's "Sunday Morning Talking Heads." "They're not being sufficiently subservient.")

"I can't seem to get a strike to save my soul..."

"... but, fortunately, the salvation of my soul doesn't depend on my getting a strike."



Recognize the artist?
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