I'm struck by "Et tu, Brute" — the most famous assassination quote — in the context of Scott Walker...
... so I engage this young man in a conversation about how to interpret his sign, which lists Walker along with Judas and — of all people — Brett Favre:
"Invent" is in quotes because all we know is the first recorded use of each word, so the fact that Chaucer has more than Shakespeare isn't as interesting as who has the best words. I'm tempted to go on Team Shakespeare because I like immediacy, laughable, obscene, generous, radiance, tranquil, and useful. But I'm going with Team Chaucer, because, in addition to quantity, he's got accident, Martian, princess, superstitious, vacation, vulgar, snort, universe, theater, scissors, perpendicular, village, wildness, outrageous, femininity, dishonest, and galaxy. No, it's not really fair. Chaucer got there first, and snagged many useful words (though not useful, the word).
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Bonus Althouse info: The first house I ever lived in was on Chaucer Drive.
Says Michael Kinsley. And I might want to read that article, but I'm too annoyed by the use of the verb "dost" with a third-person plural subject. I know it's a Shakespearean reference, but in an effort to go literary, he goes illiterate. He goeth illiterate. See? Doth is does, with a lisp. It's not plural.
ADDED: This post wrongly assumes Kinsley writes his own headlines over at Politico. Some unknown headline writer attempting to be literary, went illiterate.
Aaron Sorkin is making a movie of Andrew Young's "The Politician: An Insider's Account of John Edwards's Pursuit of the Presidency and the Scandal That Brought Him Down."
Men in shorts is, as you probably know, an Althouse theme, and New Age is the obsession of our beloved commenter Crack Emcee. Here's the Paglia:
The real culprit, originating in the 19th century, is bourgeois propriety. As respectability became the central middle-class value, censorship and repression became the norm. Victorian prudery ended the humorous sexual candor of both men and women during the agrarian era, a ribaldry chronicled from Shakespeare’s plays to the 18th-century novel. The priggish 1950s, which erased the liberated flappers of the Jazz Age from cultural memory, were simply a return to the norm.
Only the diffuse New Age movement, inspired by nature-keyed Asian practices, has preserved the radical vision of the modern sexual revolution....
Nor are husbands offering much stimulation in the male display department: visually, American men remain perpetual boys, as shown by the bulky T-shirts, loose shorts and sneakers they wear from preschool through midlife. The sexes, which used to occupy intriguingly separate worlds, are suffering from over-familiarity, a curse of the mundane.
Paglia is dithering. Good Lord! Isn't she embarrassed to enthuse about the Rolling Stones one more time? And much as I enjoy her company in my crusade against adult men dressing like children, her inane bow to "the diffuse New Age movement, inspired by nature-keyed Asian practices" makes it all feel hit and miss.
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On adult men looking like enlarged boys, my favorite description is still Tom Wolfe's:
[H]e had on a short-sleeved shirt that showed too much of his skinny, hairy arms, and denim shorts that showed too much of this gnarly, hairy legs. He looked for all the world like a seven-year-old who at the touch of a wand had become old, tall, bald on top, and hairy everywhere else, an ossified seven-year-old, a pair of eyeglasses with lenses thick as ice pushed up to the summit of his forehead -- unaccountably addressing thirty college students....
[T]he English standards do not prescribe a reading list, but point to classic poems, plays, short stories, novels, and essays to demonstrate the advancing complexity of texts that students should be able to master. On the list of exemplary read-aloud books for second and third graders, for instance, is James Thurber’s “The Thirteen Clocks.” One play cited as appropriate for high school students is “Oedipus Rex,” by Sophocles.
Five English texts are required reading. High school juniors and seniors must study the Declaration of Independence, the Preamble to the Constitution, the Bill of Rights and Lincoln’s Second Inaugural Address. Also, said Susan Pimentel, a consultant in New Hampshire who was lead writer on the English standards, “Students have to read one Shakespeare play — that’s a requirement.”
You can read the standards here. This document lists the exemplary readings, if you want to see what got singled out. A 9th or 10th grader is expected to understand Shakespeare's Sonnet #73. Ah! If only!
His wife said that, back in 2006, adding: "There's a whole tough-guy, 'I am violent, I will use violence, I will take some of these people out before I die' talk, which is key to his psychology – I don't care what he says. I think it is partly to do with his upbringing."
He now says it's true: "Yeah. Yes. One of the things I've realised, writing the book, is that it has to be true."
What did he feel on September 11, 2001?
"[E]xhilaration. Because I thought, now we have a very clearly drawn confrontation between everything I hate and everything I love. There is something exhilarating about that. Because, OK, now I know what I'm doing."...
"Do I ask myself... do I think our civilisation is superior to theirs? Yes, I do. Do I think it's worth fighting for? Most certainly."...
"Guantánamo slightly threatened at one point to change my attitude towards capital punishment. I thought it would have been good if some of those people could have been taken out and shot. Yeah, put up against a wall. Lincoln would have done it. Of course, I would have been against it if they had. But that's how I felt."
And he still believes believes he was right about the war in Iraq: "Yes, absolutely. I was right and they were wrong, that's pretty much it in a nutshell."
His mother thought there was "one unforgivable sin." It was "to be boring." And, according to the author of the linked article, there's a connection between the avoidance of boredom and the indulgence in alcohol:
He can't really manage eye contact. Once noon arrives, though, he brightens up, proposing the first scotch of the day with one of those bluff jokes about rules for drinking so dear to saloon bar bores the world over....
It seems to me so evidently the case that Hitchens is an alcoholic that to say much more feels unnecessary. But for the record, he trots out all the usual self-serving, defensive evasions: "For me, an alcoholic is someone who can't hold his drink" or, "I'm not dependent, but I'd prefer not to be without it." The longest he has ever been was a dry weekend "in fucking Libya", and he claims he drinks only to make other people less boring. So, presumably, he doesn't drink when he's with Amis? "Er, yuh, I do."
I wouldn't say he's exactly boring himself when dry, but drink certainly makes him livelier company than the 10am sober version, and we pass a highly enjoyable few hours in a pub garden, during which he tries out successive renditions of a Shakespearean sonnet, Being Your Slave, What Should I Do But Tend, on the photographer [a beautiful woman, who, earlier, had expressed disbelief in the effectiveness of seducing women with poetry].
Now, doesn't that make you want to read his memoir? It's "Hitch 22."
Without speaking a word, he humanizes himself. Tiger's close bond with his demanding father always felt like the one warm, relatable dimension of an otherwise cold and remote personality.... (By the way, is it me or is there something very Hamlet about the way a haggard Tiger gets interrogated by the ghost of his father on the misty ramparts of a golf course?)
I did her wrong/Canst tell how an oyster makes his shell?/No/Nor I neither; but I can tell why a snail has a house/Why?/Why, to put ’s head in; not to give it away to his daughters, and leave his horns without a case.
I will not be sworn but love may transform me to an oyster; but I’ll take my oath on it, till he have made an oyster of me, he shall never make me such a fool.
Off goes his bonnet to an oyster-wench...
He kiss’d, the last of many doubled kisses/This orient pearl... ‘Good friend,’ quoth he/‘Say, the firm Roman to great Egypt sends/This treasure of an oyster....
He is my father, sir; and, sooth to say/In countenance somewhat doth resemble you/As much as an apple doth an oyster, and all one.
Rich honesty dwells like a miser, sir, in a poor house, as your pearl in your foul oyster.
You can see they didn't think much of oysters then. Presumably, the oysters/shells were thrown at the actors, and these lines inspired humorous punctuating splats of oyster onto the faces of hams.
Let me have men about me that are fat; Sleek-headed men and such as sleep o' nights: Yond Cassius has a lean and hungry look; He thinks too much: such men are dangerous.
And according to a new study, people consider fat men in politics more "reliable, honest and even more inspiring" than thin men.
[Dr. Elizabeth Miller," a political scientist at the University of Missouri and a co-author] split 120 volunteers into four groups. Each group was presented with descriptions and photos of four separate phony candidates who had the same gender and body type: obese male, skinny male, obese female, skinny female. Within each group, each phony candidate's political views differed.
The study subjects then rated the candidates based on a series of criteria, including honesty and ability to perform. The obese males were viewed 6% more positively than skinny males, while skinny women were viewed 5% more positively than their full-figured counterparts. Overall, obese females were viewed 10% less favorably than obese males.
Yes, the preference was for non-skinny men. Women still need to be thin. "Let me have men about me that are fat." Men. What we trust in men and what we trust in women are 2 different things, then and now.
You, ladies, you, whose gentle hearts do fear The smallest monstrous mouse that creeps on floor, May now perchance both quake and tremble here, When lion rough in wildest rage doth roar. Then know that I, one Snug the joiner, am A lion-fell, nor else no lion's dam; For, if I should as lion come in strife Into this place, 'twere pity on my life.
I wonder if the editors' meetings about the need for a prologue were as ridiculous as the discussions among the actors in the old play.
I grant you, friends, if that you should fright the ladies out of their wits, they would have no more discretion but to hang us: but I will aggravate my voice so that I will roar you as gently as any sucking dove; I will roar you an 'twere any nightingale.
19 I work ovt my calues thrice weekly, usvally three pyramid sets of Calf-Rises whilst holding a flagon of Meade. I knowe I should stretch afterwards, but it Bores me so I do it not.
I've heard some criticisms of Frank Langella's Nixon, but I think those views come from people who remember the guy....
Problem is, he doesn't come across as evil at all. In fact, there are so many points in the movie where he's validated--as a powerhouse diplomat, as a strong leader, even his defense of Vietnam is better than his enemies' attack--that when the moment finally comes where he admits to abuse of power, it seems sort of trivial. Downright petty even. And his own confession of guilt and clear feelings of disappointment and shame, well, 30 years out, I began to feel like we weren't really worthy of him--and that I wouldn't mind having him in charge today.
TIP: If you want to demonize someone, you probably shouldn't put a great stage actor up there to play him. And it's possible, I suppose, they weren't trying to.
In any event, the whole movie ends up having an almost Amadeus-like surreality to it. Like we're watching a clash of Titans. Or a titan being brought down by ankle-biters....